Along with Benjamin Aït-Ali, I think it’s safe to say that Bérangère Maximin is the best thing to come out of France in terms of avant-garde music.  For a long while, I kept seeing her work pop up on my Facebook feeds, and each piece left me impressed.  Things stopped around 2016 or so, but by that time, I found out the she had been working with Sub Rosa Records, and I figured she was in good hands.  Judging by the quality of this release, she certainly is.