In The Void is an organization based in Istanbul, Turkey, which aims to introduce and support local voices and music formations, with different platforms and events. This is one of their first projects; a collection of covers of Nick Drake’s music done by local bands.
The artists are of exceptionally good quality (I will point you particularly to the The Underdogz, who handle Drake’s Black Dog</em> with aplomb.
I hope In The Void continue to promote local talent, and that we’re treated to more compilations of both original music and covers soon.
Though Markus Popp’s Oval is best known for his glitchy compositions, he’s been branching into rather sublime, Brazilian-inflected pop music as well. Lovely stuff.
His back catalog is 50% for the time being over at Bandcamp as well. Now’s a good time to stock up on his work.
Mark Van Hoen made quite a name for himself recording under the monicker Locust during the 1990s. This recordings in this archival album show how much he developed his sound.
Release The Long Ships is a project from Hungarian multi-instrumentalist Ferenc Kapiller. This is powerful post-rock, post-metal. This is Kapiller’s first album, and he has a pretty healthy catalogue now. Check him out.
Zwidy are a post-punk/post-rock/alternative music band out of Warsaw, Poland. Sharp playing, surprisingly easy on the ears, and yet they maintain their power. Not bad at all for indie rock.
Get out in the streets, and don’t forget to bring your horn!
via The Positive Energy of Punk Marching Bands — Bandcamp Daily
A.M Ferrari Fradejas graces us with a new release, though, to by negligence, I managed to miss when it first came out. Dark, Crimsonesque vibe with gentle guitar work and A.M’s magnificent vocals ties the package together wonderfully.
I don’t know if today is Flashback Day, but the last three posts have brought some very, very good memories of the period in my life between 1988-1992, when I was absolutely immersed in Electronic Body Music (as well as the alternative music scene of my youth).
Introspect Void are not a band from the late 1980s, but you get the feeling they sat at the feet of the masters, added a cleaner, more crisply-recorded music, but retaining that dark, foreboding vibe that made Frontline Assembly, Front 242, and bands of this stripe so much fun to listen to.
I know of quite a few artists in Brazil who are doing stupendous work in the genre of Shoegaze music, but this release by Silver Rose, a Mexican band, equals or surpasses these, having a lot in common with their fellow British and American co-practicioners of this sonic art.
Those of you who like Dream Pop will find a lot to enjoy with this release as well, as, for those of us over the age of 40, we’ll remember swaying to Hope Sandoval’s lush vocals. For a moment, this album transported me back to those days. A keeper.