[Interview] Alessandra Celletti

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A few days ago, I had the honor of interviewing Italian pianist Alessandra Celletti, one of the most creative composers active today.  I came to know her work thanks to an old business partner named Michael Sheppard, who became her champion until his passing a few years ago.

Without further ado, here is Alessandra:


 

Though I know you from our conversations, can you tell us about yourself? Who you are, your background?

I’m a musician, and naturally I love music. But, first of all, I love life. I love nature, the sea, the trees and the flowers, I love all people and animals as well. I like to come upon new things. The relevance of music is that it gives meaning and emotion to everything. I’ve been playing the piano since I was six. The piano is my life, but I also adore singing. Singing is happiness. I have a classical education, but I am too curious not to look for other musical experiences, so I’m always looking for something new.

What inspired you to be a composer and pianist?

I’ve always played the piano. I started my career as a pianist playing classical authors: Mozart, Bach, Chopin, Brahms, Ravel… but at some point I felt the desire to transfer my personal emotions into music by composing myself. It felt like a natural passage.

Which composers or art movements have left a lasting influence in your compositions?
Erik Satie is my first love and I think of him as one of my milestones. I was swept away by the purity and freedom of his search. Then, I appreciate the intelligence and lightness of John Cage. But I am also into punk music, electronics, rock and, sometimes, even pop music. I love painting and the commixture of colors. For me, music is also color. Not for nothing my last album is a blue vinyl titled #cellettiblue, inspired by my favorite color. Blue, for me, is the color of freedom. Just look at the sky and you’ll understand.

How do you go about planning for and making a new album?

I had several producers for my previous albums: here in Italy, in England but also in America. I was lucky enough to have Michael Sheppard of Transparency as a producer. It was a very special human and artistic relationship and I miss him so much. Before he died, he told me that he would be in every note I played and sung… and, indeed, I can feel his presence. I want to make you party to a secret: I always think of Michael when I compose a new melody. Right now I don’t have a record label that produces me, so for my new project I resorted to Musicraiser’s crowdfunding. I really like this personal contact with my audience

What inspired this latest album?

To put it simply, my love for animals. I’m working on six songs dedicated to the animals that had a special role in my life, tangible or symbolic. Among these is Pedro, a cat to whom I am connected in a magical way. And a donkey that I fantasize becoming my husband… And, last but not least, my mother, who I consider the sweetest and most wonderful of all the animals that filled my life. It is, obviously, an affectionate dedication to the person who gave me life and who flew away just a few months ago.

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Are you collaborating with anyone else these days in terms of live performance or studio collaborations?

Yes: a while ago I’ve discovered Paola Luciani and I’ve literally been bewitched by her animations. Luckily for me, this internationally recognized artist hasn’t lost the purity of her artistic expression, so I proposed a collaboration, to which she graciously agreed.
Now she’s drawing and animating her paper clippings according to an age-old and very peculiar technique. Ath the moment she is working on the donkey song and she will soon finalize the animations for the little cat Pedro (or maybe for a little bird)…

How do you feel about the state of the music business?

It seems so difficult for artists to get exposure outside of working with a major label.

How do you manage to do so well?

I simply dedicate myself to what I do with commitment and love, thinking of people with affection and trust. And – this will probably surprise you – I’m even confident in the future of music. Modes and media change all the time: vinyl, cd, streaming… but, basically, nobody can live without music.

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What projects are you working on? What should be expected to see from you in 2020?

As I said, I am working with Paola Luciani on the “Love Animals” project and I very much hope to be able to make it with Musicraiser’s help. Then, I’d like to do a lorryload of concerts and play my piano and sing these sweet songs to everyone. Even if they are dedicated to animals, they are all love songs.

https://musicraiser.com/it/projects/15090-love-animals

CULT CLASSIC: TOHRU AIZAWA QUARTET-TACHIBANA. — dereksmusicblog

A great review of Tohru Aizawa Quartet’s classic, Tachibana, courtesy of Derek’s Music Blog:

Cult Classic: Tohru Aizawa Quartet-Tachibana. For many connoisseurs of jazz, especially seventies J-Jazz, one little known private pressing is their holy grail, and everywhere they go is the album they search for. There’s always the hope that in a backstreet record shop, antique centre or thrift store in a town or city somewhere in the […]

via CULT CLASSIC: TOHRU AIZAWA QUARTET-TACHIBANA. — dereksmusicblog

[Music] Meadowsilver – The Coronation of the Herring Queen

From the ashes of The Hare And The Moon comes Meadowsilver, at least as how I understand it.  Grey Malkin continues to be one of the leaders of psychedelic neofolk, and will eventually take his place among acts like the Legendary Pink Dots, Comus and the like.

This is way too small a taste of this new project, of course, so we wait to see what Meadowsilver will produce next.

[Music] Penguin Cafe – Handfuls of Night (Erased Tapes) — Headphone Commute

Label: Erased Tapes Released: October 2019 Mastered By: Zino Mikorey If You Like: Nils Frahm, Ólafur Arnalds, Lubomyr Melnyk, and Peter Broderick Bandcamp Tidal Spotify Amazon Growing up, I used to love waking up on Saturday mornings to peculiar sounds of the Penguin Cafe Orchestra playing downstairs paired with the sweet smell of pancakes wafting…

via Penguin Cafe – Handfuls of Night (Erased Tapes) — Headphone Commute

[Literature] The Beat Generation – Jack Kerouac — ART & Thoughts

Now it’s jazz, the place is roaring, all beautiful girls in there, one mad brunette at the bar drunk with her boys. One strange chick I remember from somewhere, wearing a simple skirt with pockets, her hands in there, short haircut, slouched, talking to everybody. Up and down the stairs they come. The bartenders are […]

via The Beat Generation – Jack Kerouac — ART & Thoughts

[Music] Richard Pinhas & Merzbow – Rhizome

This release bridges the not-so-large gap between genres, connected by Heldon guitarist and loop master Richard Pinhas, and perhaps the most prolific post-Industrial composer of all time, Masami Akita (under his performance monicker Merzbow).

This is a live recording performed live during the Sonic Circuits Festival, September 24, 2010 at La Maison Française [The French Embassy] in Washington D.C.  The sound quality is superb, and as one would expect from two masters of their respective fields, their instruments of choice (guitar and loops for Pinhas, computer for Merzbow) ebb and flow into each other effortlessly.  This is a powerful release, and I hope it is the beginning of a long-term collaboration between both.

[Music] Da Voile – Heitt Hjortu

Da Voile are a one-man post-rock band out of Minsk, Belarus.  They compare favorably to bands like Sigur Rós or Explosions In The Sky.  This EP has turned out to be a very impressive release.

If you are a fan of the genre, this release will not leave you feeling disappointed at all.  The guitar work is excellent, as it soars and dives effortlessly, and is supplemented with a fair amount of noise that doesn’t overwhelm the beauty of the tracks.

[Music] Pete Kosanovich – Self​-​Titled Debut Album

It’s impressive when you are so good that Dave Davies of The Kinks gives you his stamp of approval.  Pete Kosanovich gets compared to the aforementioned Kinks, Bob Dylan and other luminaries frequently, and the comparison is apt.  He only lacks a good publicist who can spread the word of his talent, which would sound perfectly in place in a collection of 60’s records.  The man’s vocals and guitar playing sound like he traveled time to shame today’s crappy ‘rock’ garbage.

[Music] Theodosii Spassov & Milcho Leviev – Raga Todor

In 1995, I was approached by the owner of MA Recordings (a kind man whose name I have since forgotten) to sell some of his CDs on consignment.  Among the releases was an album performed by Bulgarian pianist Milcho Leviev.  He had several releases on this imprint because he was living in Los Angeles at the time, and it is one of my life’s regrets not having the chance to meet him.

Milcho passed away this week, and we bid him a fond farewell and a pleasant afterlife.  Here he is collaborating with Bulgarian multi-instrumentalist and a friend of this blog, Theodosii Spassov.

 

[Music] Various Artists – A Last Sunset, A Celebration of Candy Lozier, Volume 1

There is a group of wonderful ambient musicians on Facebook who constantly release music of stunningly good quality.  Names like Cousin Silas, Martin Neuwirth, Glen Sogge and Scott Lawlor among others are among the great names working in this field.  Another was Candy Lozier, a fine composer who passed away in September of this year.  She collaborated with so many wonderful musicians, ran a label, and contributed mightily to the spread of ambient and electronic music.  This compilation is a great memorial to all she did for the scene.