Brin of Bing Satellites has to be one of the most prolific composers working on Bandcamp. He is constantly putting out quality ambient music, and though it’s difficult to keep up with artists who overwhelm you wish downloads, it’s good to see that they can maintain a high standard for each release.
After the release of his album March Of The Mysterious for Serein in 2017, Kryshe (Christian Grothe) returns with Hauch – an album of eight nocturnal pieces that will ease you through the winter months ahead.
Hauch began life shortly after Christian had moved home. With all of the chaos that entails, Christian sought a means of maintaining a daily practice with his music. The goal was to create and record something new every day in the most economical way possible, so Christian turned to his iPad microphone and tape recorder.
Phrases and fragments of sound were recorded and looped on an iPad and built upon gradually with piano, voice, guitar and more. Output from the iPad was recorded directly to tape for the warmth and natural compression analogue tape brings. The result is an album of immediate allure, musicality and soul. Gently looping piano phrases emerge from blankets of hiss and granular textures, swaths of guitar and washes of low vibrations envelop and submerge the listener.
It’s impossible not to give in to the soporific effect of listening to Hauch, especially with the nights closing in ever faster – undoubtedly an album for open fires and woollen blankets. Just listen.
Marianne Faithful’s Decca Years. By March 1964, it was apparent that pop music wasn’t just a passing fad. The Beatles were a global phenomenon, and the British Invasion of the American charts had just begun. Britain was a musical powerhouse, that the world envied. Despite this, many labels weren’t resting on their laurels. Record companies […]
I don’t know if Säure Adler will ever surpass their Krautrock masters, but on this release, they’re really getting close. This was one of the most enjoyable forays into tripsville I’ve had in a while. It was nice to hear the floaty, beefy, textured tunes over a good set of speakers while relaxing before work. Truly a pleasant experience.
Check out the bumper on the Spotify link to get a taste as to what’s headed your way. It will expand to other services shortly, so if you have any suggestions as to where they should go, send the suggestions my way, and I’ll forward it to them.
Judging by the quality of the music and the fact that this is Ed Palermo’s third full-length album dedicated to Frank Zappa’s avant-big-band interpretations, I think that the album title is apropos. Eddy does indeed loves Frank! From his Bandcamp site:
Ed and his amazing 16 piece band (+ guests) return with his third album of his distinctive, big-band interpretations of the great 20th century composer, Frank Zappa. This body of work has won them huge acclaim from both new and old fans of the music and they even appeared on NPR’s Weekend Edition for a short feature which was heard by millions of listeners in 2006. For those not already familiar with Ed’s colorful, jazz-based arrangements of Zappa’s compositions, Ed has led a big band for 30 years (!) and has had his band performing the music of Frank Zappa for 15 years. Many years of playing these pieces in front of hugely enthusiastic crowds have honed the band’s skills interpreting Zappa’s beautiful but notoriously difficult material to where they are able to perform these challenging charts with apparent ease. All of these musicians are high caliber, hugely talented NYC professional players, and most of them have been playing this music for a decade and a half with this group, not because it is a good paying gig (it isn’t) but because they all admire and appreciate the genius of Zappa’s work and they love having the opportunity to be able to perform these terrifically exciting charts.
“Wonderful, breathtaking, fantastic, exhilarating, great sound, great production, great musicianship…I run out of superlatives…”
“Palermo developed these charts during years of live shows with these musicians, and their mastery of the material shows in the performances, which turn on a dime yet feel fierce with spontaneous invention…. Palermo’s arrangements and these performances are precise, dedicated, raucous and incisive—just like Zappa himself.”
“Palermo uses Zappa’s compositions as a framework for inspiration, rather than simply trying to recreate what is already available on CD.”
Rick Wakeman-1973-1977: His Glory Years. In January 1973, Rick Wakeman released his sophomore album The Six Wives Of Henry VIII, which was a groundbreaking album, one that would forever change prog rock. The Six Wives Of Henry VIII was the album that legitimised synths in prog rock. This was a game-changer. Following the success of […]
It’s a very happy occasion when I get to review a new album by Santiago Fradejas! Our friend, guitarist and composer now based in Barcelona, Spain, comes at us with another disc full of soundscapes which sit well between the more mellow compositions of John McLaughlin, the usual powerful post-Industrial soundscapes, and maybe because I have been listening a lot to him lately, some bits that would not sound out-of-place in a Charles Mingus album.
I have no idea what has gotten into the water over in Finland, but the country’s becoming a hotbed of amazing modern soul music. Timmion Records is releasing artists of astoundingly good quality like Willie West, Nicole Willis, and The Soul Investigators. You might want to check out some of their other brilliant artists over at their Bandcamp site here.
Guest blog post by Eli Coderoni Rigamonti, MLitt Theatre Studies, on placement in Archives and Special Collections. This article aims to draw a connection between artists Edwin Morgan and John Cage, focusing on their common interest for Modernist techniques, and their view on art and perception. Sometimes authors who never had a chance to meet […]