As someone who appreciates Italian horror, giallo and other such film genres, receiving an email from this band made me excited to hear what they have to offer. They did not disappoint. From the band themselves:
Horror Italiani is a new project between swiss dronoise explorer BRTHRM and Brazilian dark ambienoise master Silvio Novelletto, their shared love towards classic giallo cvlt movies has brought them to start Horror Italiani with a goal in mind: rescoring their favourite movies with dark ambient tones, in between careful composition and free improvisational approaches, Torso is the first release and it’s brought to you by Antistandard Records, a label from Milan, Italy.
Torso is an erotic slasher movie directed by Sergio Martino, this tribute by Horror Italiani follows its full length with black ambient tones stained by glitchy noise and an overall feeling of unsettledness.
I am pleased to see someone referencing Italian horror movies and producing bleak, black ambient inspired by such things.
JuffBass offer a very sparse take on post rock, with just bass and drums. It’s chilled out music to let one’s mind drift for a while. Pleasant stuff.
Syrenomelia offer a slow, relaxed metal out of Belgium. I generally enjoy low, non-melodic voices, and Wim Lankriet, who composed these two tracks, does a fine job maintaining the gothic rock flame.
Though Gianpiero De Filippo declares himself to be a non-musician (sounds like a chap with the surname of Eno), he intuits rather well. This release is a type of tribute to the beauty of Kosmische Musik, the Berlin School, Fourth World ambient and even a tip to Chris & Cosey.
Hip-hop blended with a touch of bossa nova, a twist of funk and a couple drops of electro swing. Minimatic is out of France, and he manages to mix up these genres like a well-done Blue Hawaiian. Bravo!
I would love to live in a world where Annette Peacock was honored and celebrated as one of the greatest artists of our time. Sadly, the current state of affairs was captured in the title used for the re-release of one of her earlier efforts: I Belong to a World That’s Destroying Itself. As I write this, […]
via Annette Peacock – X-Dreams – Classic Music Review — altrockchick
Thanks to the fears of the Corona Virus in China, I have a bit of time to add great bands to AGOED. If you have any suggestions, do let me know.
Source: Musique Machine. Pita – Get On Viv Corringham – On the Hour in the Woods The Residents – Refused Hula – Shadowland Yann Novak – Slowly Dismantling Transtilla – Transtilla II Uno Actu – Splendeurs Putrides Sabotheur – Self Titled The Telescopes – Stone Tape
via Musique Machine Reviews — Avant Music News
This year will be booming for new releases, and this one, in particular, has me very excited (I’m excited about all new music, but this…).
First, about Automat:
Automat are guitarist Jochen Arbeit (Einstürzende Neubauten, Die Haut, amongst others), drummer Achim Färber (Phillip Boa & The Voodooclub, Skip McDonald amongst others) and bassist Georg Zeitblom (known for his solo work and his collaborations with Fred Frith, John Zorn, Arto Lindsay, J.G. Thirlwell, Pyrolater, as well as others). Since 2014, the trio has released the three studio albums »Automat,« »Plusminus« and »Ostwest« and collaborated with several central figures from the world of experimental music, amongst them Genesis P. Orridge, Schneider TM and Max Loderbauer. For their album »Modul,« released in 2019 through Compost Records, they have again worked together with Loderbauer and invited Paul St. Hilaire aka Tikiman, Lydia Lunch and Mika Bajinski to contribute vocals for the record.
I don’t think you could have a much more stunning introduction than this. The three of these musicians have so much history in improvisational, post-Industrial music, dub and Darkwave that a book might barely be enough to document.
The beauty of this record is the deep, dark, yet thoroughly relaxed groove. This is crisp, precise, focused groove, not the sort of thing one would find in Lee “Scratch” Perry’s wilder moments. Think more along the lines of Adrian Sherwood. The vocals are nearly magical, hazy, and you still manage not to get too lost in the moment.
Compost Records is known for putting out records that are consistently as close to perfect as you can get. They can be very proud of adding this one to the canon.
It’s albums like this that keep me attracted to what is happening in post-rock. I’m no expert, and won’t ever claim to be, but there is something pleasant about not only the guitars on this album, but the bass work, which really stands out on the first track. The vocals on the album do yeoman’s work complementing the instrumentation.
From Gregor himself:
Choirgiant is the project of Gregor Graham, a Scottish musician now based in Ontario, Canada. Following his time as a member of Edinburgh-based post-rock bands Penguins Kill Polar Bears and We, he was left with ideas to be explored. These ideas would soon become Choirgiant.
He’s earned a fan.