Oaksenham are a progressive rock band formed in Yerevan, Armenia in 2001. It’s exceptionally good symphonic prog.
Wonderful news, courtesy of Vinyl Factory’s blog: Les Chemins De Katmandou, a soundtrack by Serge Gainsbourg and Jean-Claude Vannier presumed to be lost, will be reissued by Finders Keepers!
Canary Records owner (and a rather fine experimental musician himself) Ian Nagoski should be commended for his work in bringing to life so many wonderful albums from the turn of the 20th Century cut by Balkan and Jewish musicians who left their home countries and made quite good names for themselves in places like New York City. These recordings are lovingly restored, and apparently are leftover tracks transferred from 78rpm discs for a forthcoming 5-volume / 6-LP series to be issued in early 2019. Considering how lovingly Ian treats this material, this upcoming collection sounds like a grand project!
I have to thank my friend Yasen Kazandjiev for quite a few upcoming reviews of some of the most intriguing music I’ve heard in some time, starting with this EP by Dresden-based band Subact.
There are elements of bands like Ozric Tentacles and other psychedelic prog groups as well as sample work reminiscent of Front 242 and other Electronic Body Music bands from Belgium and Canada which I grew up listening to. This music is thoroughly modern, but it also hearkens back to an era when sampling technology was new. Martin Grellmann and company have done stunning work balancing past and present with this release.
Ethiopian music is doing rather well in Israel, if this new single by the Hoodna Orchestra is any indication of what’s going on there. The first track is a warm paean to old 60s and 70s music out of Addis Ababa, and the next is pure dub meatiness.