I must have been about 17 years old when a disc called Symphonie pour le jour où brûleront les cités, Musique pour l’Odyssée and Archives 1, performed by a band I had never heard of called Art Zoyd, kept staring me in the face, while I heard voices in my wallet saying, “Take it.” I had just recently discovered Univers Zero, a contemporary band, and was told by the ever-knowledgeable staff at Rhino Records in Claremont, California, that it was a winner. Indeed, it was, and it was unlike anything I had ever heard up until that point. Chamber-rock wasn’t in my vocabulary at the time, but that would be the term which fit the band best. It’s good to see this album in its proper form, but I really do hope that Sub Rosa, who took the time to do such a wonderful job producing this disc, re-releases Art Zoyd’s whole back catalog, including bonus tracks. Each disc has been worth it.
Published by Rudy A. Carrera
I blog and comment on music, art, literature, film, politics, religion, and other subjects. View all posts by Rudy A. Carrera