[Music] Eurock Documentary, 47 Years Of Music

Eurock Documentary Fundraiser from Don Slepian on Vimeo.

When I was growing up and getting into strange music during the early to mid-1980s, I had several resources I would go to monthly (or quarterly, after a while) to find out about anything that had to do with progressive rock: Audion, a magnificent English magazine which covered pretty much everything I liked at the time, and the American equivalent, Eurock. I had the pleasure of meeting Archie Patterson, the mag head, a few times when I was working at a record shop in Los Angeles, and the guy was absolutely brilliant.

Eurock has a 47-year history of giving their readers a peek at the best in avant-progressive music. He is working on a documentary on both the magazine and some of the musicians he has been doing business with for the past 40 years, including Gilbert Artman, Mikhail Chekalin and Luis Perez.

This is a worthwhile cause. Check out Archie’s IndieGoGo page to learn more about this project.

[Music] King Gizzard & The Lizard Wizard – Fishing For Fishes

King Gizzard & The Lizard Wizard are an incredibly prolific band.  Every now and then, they release a crap album like Infest The Rats’ Nest, which is bad metal as far as I’m concerned.  Some of their fans like that.  Fair enough.  This album, however, shows them peaking as a band who can mix prog, psych, boogie rock and some pretty damn good, if weird, songwriting into a coherent bit of listening.  I’m happy to have this one in my collection.

[Music] Piero Milesi – Modi

Thanks kindly to Cuneiform Records, whose weekly $5 downloads are an affordable way to replace a few CDs lost to time and travel.

Piero Milesi was an Italian composer who started off his career in 1977 with the International Folk Group of Moni Ovadia.  His first break came from the now-legendary Cherry Red Records, which originally released this two-piece work in 1982.

The release itself doesn’t sit comfortably in any genre.  Obstensibly a classical music record of a sort, it also touches on chamber rock, art rock, jazz, electronic music, progressive rock, avant-progressive, film music and modern composition.  It was a breathtaking debut for a composer who would score a few more albums, and even arranging an album for Japanese pop star Kazufumi Miyazawa before succumbing to a heart attack in 2011.

[Music] Art Zoyd – Génération Sans Futur

I must have been about 17 years old when a disc called Symphonie pour le jour où brûleront les citésMusique pour l’Odyssée and Archives 1, performed by a band I had never heard of called Art Zoyd, kept staring me in the face, while I heard voices in my wallet saying, “Take it.”  I had just recently discovered Univers Zero, a contemporary band, and was told by the ever-knowledgeable staff at Rhino Records in Claremont, California, that it was a winner.  Indeed, it was, and it was unlike anything I had ever heard up until that point.  Chamber-rock wasn’t in my vocabulary at the time, but that would be the term which fit the band best.  It’s good to see this album in its proper form, but I really do hope that Sub Rosa, who took the time to do such a wonderful job producing this disc, re-releases Art Zoyd’s whole back catalog, including bonus tracks.  Each disc has been worth it.

[Music] Gisèle – Gaston

Montreal-based band Gisèle were one of the first purchases I made on Bandcamp, so it’s quite nice to see their name pop up on my feed after a long, quiet absence.  It’s a mish-mash of improvisational music, post-rock and progressive rock done tastefully.  Two tracks only, but the listening is good and engaging.