[Music] AMN Picks of the Week: Moljebka Pvlse / John Zorn / Muur / Robert Scott Thompson — Avant Music News

Here is where I post, at a frequency of about once a week, a list of the new music that has caught my attention that week. All of the releases listed below I’ve heard for the first time this week and come recommended. Moljebka Pvlse – Komoku (2019) John Zorn / Klezmerson – The Book […]

via AMN Picks of the Week: Moljebka Pvlse / John Zorn / Muur / Robert Scott Thompson — Avant Music News

[Music] Jos Smolders – *​.​5O (for Frans de Waard)

Experimental music composer Jos Smolders is a friend of these pages, and it warms the heart a bit to see him pay tribute to Frans de Waard, the composer known as Kapotte Muziek and Beequeen who has also been one of the editors of the crucial Vital Weekly for eons. It is because of both Frans and my old friend, David Cotner, that I was inspired to start this blog. I am indebted to all three men.

[Music] Surrogate sigma – Topologie Algébrique

Fifty cents isn’t a bad investment for well over 400 releases on the Genetic Trance label out of Ohio.  One of the releases caught my ear – this one by Surrogate Sigma.  Unsurprisingly, there is no information on the band that I can find, save that they are from Ukraine and operate under a ridiculous amount of aliases.  Still, this particular release reminded me of the works of old composers who were active during the 1980’s cassette culture days.

[Music] Dead Janitor – Medusa | [ / ] no. 45

Slovakia is producing all sorts of fine music.  Dead Janitor is a fine case in point.  From their Bandcamp page:

Dead Janitor is the alter-ego for Slovak electronic technician Braňo Findrik. Over the past decade, he has steadily produced a series of digital releases leading to his debut Medusa LP for Urbsounds. With an arsenal of pixelated breakbeats and stuttering samples, Dead Janitor presents an adventurous form of polymetric electronica, echoing the complex IDM explorations of the pioneering work of Aphex Twin and Autechre.

Medusa is an apt title for the album that hybridizes digital and analogue technologies into a labyrinthine architecture of sound that prioritizes rhythm over melody. The title was inspired by the beloved camp of Clash Of The Titans but also alludes to the hostility that have become normalized in contemporary politics and culture. Here, Dead Janitor turns samples upside down, subjects the internal clocks to breakneck multiplication and division, atomsmashes electronic sound into it granular parts, and otherwise sets up rhythm to be in conflict with itself.

Tracks such as “Mandatory” that cycle through its 8-bit density of Gameboy bleeps and the title track with its aggressive industrial clamor provide a number of complicated listening experiences that reveal hidden patterns and rhythmic undercurrents over repeated listens.

With its emphasis on displacement and dislocation, Medusa makes for a thrilling if idiosyncratic album in the lineage of Evol, Mark Fell, Russell Haswell, and late-period Autechre.

[Music] Southern Lord To Reissue Two More Caspar Brötzmann Recordings This Summer — Avant Music News

Source: Southern Lord Recordings. Southern Lord announces the next CASPAR BRÖTZMANN MASSAKER reissues in the ongoing series, continuing with Der Abend Der Schwarzen Folklore and Koksofen, now confirmed for release in July. Tracks from each of the two new reissues are now posted for streaming. The outfit will also be actively performing live this summer, […]

via Southern Lord To Reissue Two More Caspar Brotzmann Recordings This Summer — Avant Music News

[Music] Vadim Petrenko – RIO​-​Collection /Rock In Opposition/

The Rock-In-Opposition movement had a very short shelf life, but produced some of the most amazing avant-progressive rock bands.  Think of acts like Univers Zero, Henry CowArt Zoyd, the Art Bears, Stormy Six and others.  Their influence was felt far and wide, and you can hear it in the work of former ZGA guitarist Vadim Petrenko.  He has synthesized the influences of his favorite artists and added his own take on the genre.  His work with ZGA was stunning, so I’m looking forward to hear how he develops as a solo artist.