[Music] On “Concrete Desert,” The Bug and Earth’s Dylan Carlson Destroy L.A.

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Bandcamp Daily features The Bug vs. Earth, a powerful pairing of Kevin Martin’s Industrial/dub project, which has been around in one form or another since the late 1980s, and Dylan Carlson’s seminal drone rock project, Earth.

Dark, moody, cinematic post-rock.  Perfect music for meditating over the crumbling Los Angeles skyline.

Read more here.

[Music] God Cancer – Late Night Sessions

God Cancer is a new side project by Per Najbjerg Odderskov, a friend of this blog and the brains behind the stellar Destruktionsanstalt, reviewed here last year as well as in 2016.

This isn’t ambient music, at least not in the fluffy wallpaper sense.  This is harsh, brutal, and reminiscent of something between early Industrial music and a radiophonic opera in the manner of Daphne Oram.

You can say that this is headphone music, but it’s the sort of headphone music which will leave you feeling quite disturbed and covered with goosebumps.  After playing the album several times, I began to realize that this would be appropriate for a stop-motion masterpiece directed by Jan Švankmajer.  Yes, it’s that brutal.

UPDATE: Per let me know that this release will be available on cassette from Splitting Sounds Records out of Serbia in either April or May of 2018!

[Music] Various Artists – Ocean of Sound – The 3rd Annual Report Volumes I & II

Words fail to describe just how important Raffaele Pezzella’s contribution to dark ambient music is. He has singlehandedly curated compilations from artists as far away as Russia, Iceland, Iran and seemingly all points in-between while concentrating on his own venerable work. These two compilations house 229 tracks covering the best of the bleakest, blackest ambient available at the moment!

[Music] Mamadou Diabate, Dramane Dembélé, Claudio Spieler – Barokan

The month of September was rather spectacular for me.  First, I was able to see my beloved friends in Skopje, Macedonia, where people are almost as close as my own blood relatives.  The next little joy I experienced was going to the Without Borders World Music Consortium, where I had the pleasure to re-connect with comrades who spend their days promoting the best of World and Ethno Music in their respective countries.

I am especially indebted to seeing Stefanie Schumann of Delicious Tunes, who introduced me to the work of Mamadou Diabate, a balofon player originally from Burkina Faso (now residing in Vienna, Austria, if I’m not mistaken).  After being blown away by his band, who were showcased on the final evening of Without Borders (along with Breton sensations Plantec), I was given a CD which featured not only Mamadou and fellow countryman, the pelu (flute) player Dramane Dembélé and Austrian percussionist Claudio Spieler.

After having the honor of meeting Mamadou, I was given some rather impressive background information. He comes from a Samba “Jeli” family, and has several works available (all of which we hope to review in the future).

Throughout the disc, the musicians play very comfortably together, as if they had been a trio for a long time. As it turns out, Mamadou and Dramane perform together with some frequency, but Claudio’s percussion work underpins the the balafon and peul beautifully.

Where the album shines, however, is when Mamadou sings, especially on the song Koroya. His voice, in harmony with Dramane’s reminds me of the best of West African music, and the balafon adds even more body, serving, in some sense, as a third voice.

The record is pretty much flawless, and will we a welcome addition to World Music connoisseurs into their collection.  To purchase the CD, either contact Mamadou directly, or Delicious Tunes.

[Music] Conrad Schnitzler & Bernhard Wöstheinrich – 20070709

Conrad Schnitzler was a legendary electronic music composer who passed away in 2011. Four years beforehand, he collaborated with a young fellow German musician called Bernhard Wöstheinrich, who was well over 30 years his junior. The collaboration produced one hour-long track which builds, grinds, throbs and swells in a way that is abrasive, yet pleasant.

The release is on Iatepus Media, and you can read notes from their album on the label site.