[Music] Various Artists- Heresy Records: A Map Of The Kingdom Of Ireland

Though not as long in the tooth as INA-GRM nor as exotic as the scenes in places like Egypt or Iran, it seems that Ireland has developed a venerable electroacoustic music scene which has spanned over five decades.  This compilation, A Map of the Kingdom of Ireland, a compilation of Irish Electro-Acoustic music featuring works by Ireland’s most celebrated Electro-Acoustic artists, was released on March 2, 2018 by Dublin, Ireland-based Heresy Records, is quite a gem of not only electroacoustic music, but of pure, non-theoretical music of many stripes, including contemporary classical and even new wave/post-punk.

The comp starts off gently with a cut by Paul Morrin.  It is a bit like a boat taken off its moorings, and drifts along until about the two-minute mark, when the tempo changes to something a bit more lively and focused – one could even say it has a post-rock feel to it, reminding me a bit of the band éf.

Tóirse Ó Ríordáin comes up next with something that feels slightly like an early Penguin Café Orchestra piece if it were composed somewhere near the border of Brazil and Colombia.

It is Daniel Figgis’ piece, Timothy Cream’s Crown of Wines, which really gets into a more freeform composition, referencing avant-garde music and perhaps Krautrock. There is a lilting, marching quality to the composition which allows one to drift off into the ether while.

Even freakier are the two pieces turned in by Dublin mainstay Roger Doyle.  This is a bit away from the avant-garde – this feels more like a cleaner, more updated sound referencing Tangerine Dream.  As my old Kraut friends would say, “sehr Kosmisch…”

The fun surprise of the compilation for me were the two tracks included by Princess Tinymeat (a reference to actor Montgomery Clift’s… er… shortcomings in the boudoir, I’d imagine).  His (her?) back catalog is screaming for a re-release, as I haven’t come across this name since I was collecting cassettes in the late 1980s.

Finally, Spooky Ghost gets a mention for some of the most pleasant guitar work I’ve heard since Vini Reilly was in peak form with the Durutti Column in the early 80s.

There isn’t a duff track on the compilation.  If you find this collection enjoyable, you may want to also consider purchasing On The Nature Of Electricity & Acoustics, another remarkable compilation curated, this time, by Figgis.

Track Listing
1. Compass – Paul Morrin
2. Atop D’Seefin (Educution remix) – Tóirse Ó Ríordáin
3. Timothy Cream’s Crown of Wines – Daniel Figgis
4. Avant Garde Your Grille – Deep Burial
5. Little Train To Heaven – Richard G. Evans with Daniel Figgis
6. Eighties Rampwalk – Roger Doyle
7. Sleep Circus (remix) – Paddy Hunt vs. Charles
8. Richard Harris Blesses The Dawn Flotilla At Guilvinec – Cathal Coughlan with the Grand Necropolitan String Band
9. Finale from The Room In The Tower – Roger Doyle
10. handsinmyhead – GREETINGS
11. DriftDin – Vincent Doherty
12. Arcticus – Donald Teskey
13. Your Majesty – Princess Tinymeat
14. Stutter – Spooky Ghost
15. Unscan Ó Malley – Tóirse Ó Ríordáin
16. MegaMix – Princess Tinymeat
17. Wandering Compass – Paul Morrin

* The digital version of the album includes the following four tracks

18. Old Piano – Vincent Doherty
19. Reverse – SOM
20. Audacity – Deafector
21. Rampwalk – Roger Doyle / Olwen Fouéré

[Music] 20 Years of Southern Lord’s Dark and Heavy Art

https://bandcamp.com/EmbeddedPlayer/v=2/album=2641990699/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/

The label’s roster has always featured a wide breadth of sonic explorers, from ambient artists through very heavy metal and post-metal acts to jazz fusion.

via 20 Years of Southern Lord’s Dark and Heavy Art — Bandcamp Daily

It’s amazing to think that this label has been around for 20 years, and I missed a good fifteen of those due to ignorance. May they have another happy 20.

[Music] On “Concrete Desert,” The Bug and Earth’s Dylan Carlson Destroy L.A.

the-bug-vs-earth-2-by-phil-sharp-600

Bandcamp Daily features The Bug vs. Earth, a powerful pairing of Kevin Martin’s Industrial/dub project, which has been around in one form or another since the late 1980s, and Dylan Carlson’s seminal drone rock project, Earth.

Dark, moody, cinematic post-rock.  Perfect music for meditating over the crumbling Los Angeles skyline.

Read more here.

[Music] JOHN 3:16 – עשר


Our friend from Alrealon Music and JOHN 3:16 main man, Philippe Gerber, has graced us with a new, extremely powerful release.

Right from the outset, Gerber hits us with the (early) Floydian drone of The Sun Shall Be Turned Into Darkness, which is so reminiscent of Pink Floyd’s evergreen, Set The Controls For The Heart of the Sun, without the percussive elements, but focusing more on a lilting drone.  As the disc progresses, you are treated to genre-splicing par excellence.  Progressive rock drifts into post-rock, supported by a skeletal percussive framework and an ethereal drony element serving as ether holding everything together.

In all, this release has 29 tracks, which makes עשר such a generous offering.  Philippe has much to be proud of with this release.

[Music] God Cancer – Late Night Sessions

God Cancer is a new side project by Per Najbjerg Odderskov, a friend of this blog and the brains behind the stellar Destruktionsanstalt, reviewed here last year as well as in 2016.

This isn’t ambient music, at least not in the fluffy wallpaper sense.  This is harsh, brutal, and reminiscent of something between early Industrial music and a radiophonic opera in the manner of Daphne Oram.

You can say that this is headphone music, but it’s the sort of headphone music which will leave you feeling quite disturbed and covered with goosebumps.  After playing the album several times, I began to realize that this would be appropriate for a stop-motion masterpiece directed by Jan Švankmajer.  Yes, it’s that brutal.

UPDATE: Per let me know that this release will be available on cassette from Splitting Sounds Records out of Serbia in either April or May of 2018!