I’m particularly pleased to be reviewing this album, as it comes from a VERY local band. They were living in city of
Claremont, California, a college town minutes from my home, and the drummer,
Chuck Oken, Jr., owns
Rhino Records, by far the best independent record shop in the
Inland Empire. It was the first place I whet my appetite in new music. Also, the fact that it’s on
Cuneiform Records, who were based not too far from me (in
Silver Springs, Maryland) when I my then-wife and I lived in
Germantown. It’s so nice to see this album being offered by the label.
Djam Karet are a progressive rock band, but I saw the comparisons to
Pink Floyd off-putting. Floyd is Floyd. Karet is Karet. There may be points of commonality here and there, but
Djam Karet drift off into a more exploratory mode of long rock improvisations. If there is anyone who DJ should be compared with, I’d reckon it would be
King Crimson between 1973 and 1981, though without the intricacy of
Adrian Belew’s guitar skronk. This is exceptionally good prog, even after 22 years.