Cousin Silas is one of the leading lights of the underground bedroom ambient scene. Like so many of these characters (whose work I highly regard), he releases a lot of music, but somehow manages to maintain a sense of purpose of each and every release. These are crafted slabs of spacey, rich music for minds to float to.
After the release of his album March Of The Mysterious for Serein in 2017, Kryshe (Christian Grothe) returns with Hauch – an album of eight nocturnal pieces that will ease you through the winter months ahead.
Hauch began life shortly after Christian had moved home. With all of the chaos that entails, Christian sought a means of maintaining a daily practice with his music. The goal was to create and record something new every day in the most economical way possible, so Christian turned to his iPad microphone and tape recorder.
Phrases and fragments of sound were recorded and looped on an iPad and built upon gradually with piano, voice, guitar and more. Output from the iPad was recorded directly to tape for the warmth and natural compression analogue tape brings. The result is an album of immediate allure, musicality and soul. Gently looping piano phrases emerge from blankets of hiss and granular textures, swaths of guitar and washes of low vibrations envelop and submerge the listener.
It’s impossible not to give in to the soporific effect of listening to Hauch, especially with the nights closing in ever faster – undoubtedly an album for open fires and woollen blankets. Just listen.
Source: Southern Lord Recordings. Southern Lord announces the next CASPAR BRÖTZMANN MASSAKER reissues in the ongoing series, continuing with Der Abend Der Schwarzen Folklore and Koksofen, now confirmed for release in July. Tracks from each of the two new reissues are now posted for streaming. The outfit will also be actively performing live this summer, […]
For those of you pining for the days of raw bedroom recordings of guitar improvisation that remind you of seminal acts like The Durutti Column, a name mentioned frequently on these pages, this latest album by Martin Neuhold does the job nicely. The only quibble is the slightly rushed feeling in-between tracks, which makes this mini-album feel a bit rushed. The musicianship, thankfully, doesn’t suffer a bit.
There is no information I can find out about the project (or performer?) o /\/\ /\/\, except to say that said person is from Slovakia. I was looking for something heavy and noisy to wake me up after going through the hideous process of moving apartments in Beijing. Well, this did the trick.
Though labeled as ‘blacknoise‘, this tends to be more wall-of-sound guitar improvisation than the cheesy metal I’ve seen other bands pull off under this genre.
This is an impressive album as noise records go.
From Eilian’s Bandcamp page:
Ciro Berenguer is a guitarist and composer from Argentina who has lived for many years in Barcelona, Spain. He likes both traditional and nontraditional ways of playing the guitar: processing the sound through many electronic devices or playing just the guitar alone. Two facets of his playing expressed in a handful of albums and collaborations, from standard guitar music to a more experimental and improvised way of making sounds, enjoying both approaches.