A rather nice example of traditional music from Bashkortostan, a Turkic Republic inside of Russia. Unfortunately, there isn’t much information available on the artist, Gata Sulejmanov.
For my Mari, who has made me appreciate what Brazil has to offer. Madredeus and wonderful company today. I can’t ask for much more than that.
Quite a monster of an album by Nigeria’s finest, Fela Kuti. The track listing for this album is:
01 “Alu Jon Jonki” – 12:41
02 “Jeun Ko Ku (Chop ‘n Quench)” – 7:14
03 “Eko Ile” – 6:41
04 “Je’nwi Temi (Don’t Gag Me)” – 13:15
Naples is a city utterly steeped in music. I had the chance to visit briefly a few times, and each visit brought me to a deeper appreciation of the culture (if not all of its residents). Classical music, jazz, ethno, horribly embarrassing pop music – you can find it all there.
Leave it to my dear friend, Rosario Maffucci, who along with Ian Smith, do wonders in discovering new talent. It seems that Le Ninfe della Tammorra are from Naples, and bring tarantella into the modern age with a blend of appropriate instruments and what sounds like great engineering in this punchy tune.
I’m looking forward to seeing more talent pop up in Naples during my next visit!
Ghazal are an Iranian-Indian supergroup of sorts comprised of Kayhan Kalhor from Kurdish Iran on kamencheh, sitarist Shujaat Khan and tabla player Swapan Chaudhuri, who both hail from India.
A Czech gypsy and former prostitute, Věra Bílá is a Romany institution. This was the first song I ever heard from her, probably about 7-8 years ago, and you can hear elements of jazz and flamenco inside the tune.