[Music] Pyroclastic – Blast Tunnel EP

It’s nice when I get to tell one group of friends about another.  When I was young, my brother and many of our mates would go to what we knew then to be “industrial dance clubs.”  These were fun times, but the music was what I remember most.  Stark, brutal, with quasi-militaristic beats, perfect for stomping up a floor with your heavy boots.  My old friend Ryant Takai has continued mining in this field, and his latest project, Pyroclastic, continues on that nasty, thudding, beat-heavy tradition.  As someone who was working with electronic body music during the late 1980s, it is fair to say that he has been continuing hitting that perfect beat for the past 30 years.  If anyone can go 30 more, he can.

[Music] Various Artists – Cuneiform Records: The Albums of 2019

Readers might be cognizant of the fact that I never post things that I don’t like, so you won’t find me writing anything negative.  With that being said, there are some labels who simply never let me down, and when a new release arrives from them, I’m more than happy to give them an open ear.

Steve Feigenbaum has captained Cuneiform Records for as long as I can remember, and 2019 was another amazing year for them.  This compilation highlights the best releases.  From the label’s Bandcamp site:

This special “Name Your Price” compilation album features creative and mind bending music throughout the course of 11 tracks all of which was released by Cuneiform Records in 2019.

We invite you to listen to ‘Cuneiform Records: The Albums of 2019’ and explore the wide spectrum of music we recently released over the year. Each track by each artist is unique; we invite you to sample all. And then, if you’ve not already done so, we encourage you to listen the full albums by the artists who most appeal to you

[Music] Tijana Stanković – Freezer

Tijana Stanković is a composer from Serbia who offers a work played on a prepared violin and vocals.  From her Bandcamp site on LOM Records out of Slovakia:

Freezer is an album of raw and emotive improvisations by Serbian violinist-vocalist Tijana Stanković. Her chosen theme, the proverbial ‘freezer’, makes for a stark setting, serving as both a musical metaphor and literally the echoey meat freezer in Bratislava where the music was created and recorded. “Freezer is a place of cruelty and hope,” Stanković says. “It is a metaphor – an inner place where thoughts and feelings wait to be addressed.”

Though a dedicated free improviser, Stanković’s background in folk and Ethnomusicology puts her in touch with an ancient emotional syntax. Her key tools – violin and vocals – both yearn with an organic and creaking fragility, tied irrevocably to old cultures. As a means to express, they offer boundless possibilities (something Stanković has long explored in a vast array of collaborative groups, ensembles, and projects), but locker herself in the Freezer, on these recordings Stanković gains access to some potent introverted sonic realms, putting them in stasis to keep them at their most genuine, honest, and revealing. “To freeze,” she explains, ”is to preserve.”

Each of the four lengthy improvisations captured on Freezer takes its aesthetic to a logical endpoint. For example, ‘From dust and shine’ is a trip into gentle bow strokes over jarring and fragile violin strings, droning and grating between ethereal half-melodies and gentle moans. Stanković’s violin can at times evoke a creaky wheel as much as a musical instrument.

Though very much locked away in her own world of free and idiosyncratic music, the melodic character, stark sentiments, and heterophony of Balkan folk also play an important role. Closing track, “salty words” has Stanković meditate loudly on a trembling violin string repetition, wordlessly vocalizing a vast spectrum of inner angst.

Freezer is the culmination of Stanković’s abilities as both instrumentalist and improvising, coalescing her experience into a uniquely personal statement, aptly captured to tape in a freezer. Living until recently in Budapest, Stanković is now based in Belgrade.

“I would like to dedicate this release to my dearest friends who were there for me when I needed them the most.”

Be patient with this release. It will grow on you.

[Music] Horror Italiani – Torso

As someone who appreciates Italian horror, giallo and other such film genres, receiving an email from this band made me excited to hear what they have to offer.  They did not disappoint.  From the band themselves:

Horror Italiani is a new project between swiss dronoise explorer BRTHRM and Brazilian dark ambienoise master Silvio Novelletto, their shared love towards classic giallo cvlt movies has brought them to start Horror Italiani with a goal in mind: rescoring their favourite movies with dark ambient tones, in between careful composition and free improvisational approaches, Torso is the first release and it’s brought to you by Antistandard Records, a label from Milan, Italy.

Torso is an erotic slasher movie directed by Sergio Martino, this tribute by Horror Italiani follows its full length with black ambient tones stained by glitchy noise and an overall feeling of unsettledness.

I am pleased to see someone referencing Italian horror movies and producing bleak, black ambient inspired by such things.