[Music] Tanbou Toujou Lou: Meringue, Kompa Kreyol, Vodou Jazz, & Electric Folklore from Haiti 1960 – 1981

It’s not often that I get to post on a release from Haiti, as I’ve never really had reliable contacts who could guide me to what treasures lie underneath that island which suffers so much.  This release from Ostinato Records, a small label out of New York who are doing some incredible reissues from various parts of Africa (think Somalia and Cape Verde for starters), put together this remarkable collection of tracks recorded not only in Haiti’s capital of Port-au-Prince, but among the expatriate community residing in Brooklyn, New York.

[Music Podcast] Mundofonías 2017 #66 | Samarcanda, Jerez, La Habana

I implore you, my friends…

Make time to catch the best World Music podcast in the world. Mundofonías‘ Juan Antonio Vázquez & Araceli Tzigane have spent years introducing an international audience to world music with their themed podcasts, and this one is no exception.

To hear this week’s episode, click here or on the image. The track list is as follows:

Zulya – Kubalagem – Aloukie
Zulya and The Children of the Underground – We twelve girls – 3 nights
Ulzhan Baibussynova – Talim – Music of Central Asia, vol.4: Bardic divas, women’s voices in Central Asia [VA]
La Banda Morisca – En toíto yo te encuentro – Algarabya
Manuel Parrilla – Bulerías “Abuelo Parrilla” – Pa mi gente
Burruezo – La mora d’Aragó – Dervishes & troubadours
Mujeres con Raíz – Sale el sol por la mañana – Las edades de la vida
Tündra – Baile de procesión – Bastardüs
Al Valdés y su Conjunto – Guajira – Cuba! Cuba! [VA]
Ignacio Carrillo – Pico y pala – Cuban playground [VA]
Rubén González Jr. – Pianísmo – Best of Cuba [VA]
Rubén González – Descarga Rubén y Cachaíto – Introducing… Rubén González [ed. 2017]
(Ska Cubano – Loca rumba – Cuban playground [VA])

[Music] Fatal Casualties – Filter

Dutch label Seja Records graces us with a magnificent new release by Swedish neofolkers Fatal Casualties. It’s amazing to thing that Stefan Ljungdahl and Ivan Hirvonen have been performing off and on as Fatal Casualties for 30 years now, as the current release is perhaps the freshest, most vibrant music they’ve put out in more than a decade. It’s hard to even consider this neofolk, because it uses so many other genres as a touchstone. One can hear post-punk, goth, dark electronic music, a bit of a soundscape here and there. Ivan’s vocals top the aural cake off beautifully. Kudos to the engineer who managed to balance the sounds perfectly.

This album was released in 2016, but as I came around to it only recently, I’ll gladly consider this a new-ish release. Well worth your time.