Though Bernie Sumner has handled most of the vocal work over the years for New Order, there’s something pleasantly raw about this Peel Session version sung by Peter Hook.
Next to Ceremony, this is my favorite track by the band.
[Music] Amplidyne Effect – Patternized Movements
Post Global Recordings has been active in the Macedonian electronic/experimental music scene for a number of years. They’ve been releasing works onto Bandcamp, and this release by producer Martin Georgievski (a.k.a. Amplidyne Effect) is the label’s most recent. Icy post-rock mixed with airy electronic tones which keep one engaged in the way one listens to modern contemporary classical music.
[Music] Fred Lorca – Sonic Gringo
Imagine if DAF discovered cumbias in the 1980s with lo-fi equipment, but made up for it with a high, hazy, nearly psychedelic level of energy? Friends, I give you Fred Lorca, a composer originally from Argentina who had been residing in Spain for some years, and is, perhaps, once again residing in the Southern Cone.
This album isn’t imbued with kitschiness like, say, Señor Coconut. Think Yello, as this has a driving, danceable rhythm while maintaining its focus. That doesn’t mean it’s all serious, as there are small, cheeky interludes, and a feeling of a gang-land soundtrack in these rhythms.
[Music/Film] Giving A Baby A Chainsaw – An Art Apart: The Hafler Trio
Giving a baby a chainsaw – An art apart: The Hafler Trio from Carl Abrahamsson on Vimeo.
More amazing news from Carl Abrahamsson:
Andrew McKenzie is a highly renowned British artist frequently associated with sound art and experimental music. With great perseverance and integrity, McKenzie has, since the late 1970s, produced a large body of work, predominantly in performances, records and writings under the name The Hafler Trio. Recently, he has developed a concept called complementary education, also known as “complemation”, which is presented in workshops where the participants work together in making a piece of music based on the previous workshops’ finished piece. In a way, this could be seen as a potentially endless work of art that doesn’t only touch upon the dynamics of sound and music in themselves, but to an equal degree the very process of creation and self development. This perspective of regarding creation as a learning process has become one of McKenzie’s trademarks.
A film by Carl Abrahamsson, Sweden, 2015. 58 mins. trapartfilm.com
[Music/Radio] OORSPRONG Curators Series Announcement
Raoul van der Weide of Oorsprong sends over this announcement. Support them, as The Netherlands does a wonderful job in promoting great music!
For all OCS participants: curators, performing curators and performers
PLEASE TAKE A CLOSE READING
of this document.‘OORSPRONG curators series/OCS’ since 2009.
Casting and presenting ‘blinddate+instant composing’ lneups.
A curators’ platform by improvisers for improvisers.CURATING = CASTING
inviting, presenting and promoting unexpected and mixed ‘blinddate + instant composing’ lineups in the broadest multi disciplinary improvisational sense.
>History
> Mission
> PracticalsHISTORY
OCS started in 2009 as a monthly curators platform, initiated by improvisers for improvisers open to all possible ‘instant composing’ discplines.
OCS is made possible by long term support of commited and volunteering individuals
OCS is based in Amsterdam and cooperates with content- and facility-partner STEIM (Studio For Electro-Instrumental Music) and BIMhuis organisation and is hosted by Plantagedok/Jochem van Tol.
OCS produces 10 monthly 3 different ‘blinddate+instant composing’ sets editions pro year, first edition in September last edition in June.
OCS Agenda via htp://www.oorsprong.wordpress.comNEW Address venue:
‘Plantagedok’ at DokZaal
Plantage Doklaan 8-12
1018 CM AMSTERDAMhttp://www.oorsprong.wordpress.com
http://www.steim.nlOORSPRONG curators series/OCS is on Fb.
Contact/coordination > raoul van der weide 0031(0) 612541461 >
raoulvdweide@gmail.com19:00 doors open for audience
19:30 start 1st set (Sharp!)
22:00 end of eventAdmission 6
Thanks to OCS volunteers Guillaume Heurtebize/website; Stephane Kaas/flyer; Oscar Jan Hoogland/piano; Jochem van Tol/Plantagedok/hosting; Lali/assistence; George Hadow/assistence; STEIM/Nico Bes. BIMhuis/Huub van Riel.
MISSION
‘The urge to promote, feed and refresh Improvisation Tradition in the broadest sense by ongoing social (blinddate) and artistic (instant composing) unique experimental lineups.
OCS’s programming concept focuses specifically on mixing of (a) dance, (b) electronics and (a) acoustic improvisation via unique unprecedented/blinddate lineups.
OCS lineups are always social (blinddate) and artistic (instant composing) experiments at work. Performances can be considered as non-academic lectures, being part of a lifelong individual and collective improvisation learning-, reflecting- and development process.
⁃ Every month 3 different curators (from a, b and c background) are invited by OCS to cast a mixed improvisation lneup. They cast, invite and present each a ‘blinddate+instant composing’ lineup starting from trio format to larger formats. No solo, no duo, no regular groups, no projects, no ensembles, no rehearsals. In short: high degree zero social and artistic comfort zone.
⁃ Minimum lineup format is trio, larger formats are welcome too.
⁃ In additon to the high degree zero programming, no performer/curator can participate more than 1 x a season at the OCS series. At most.
⁃ These programming rules are meant to stimulate optimal circulation of a mix of new and known and unknown performers/curators in the OCS series.
⁃PRACTICALS
Close Reading: equipment, travel expenses, parking, no-guestlists, self-promotion
⁃
⁃ 17:00 doors open for OCS participants for set-up, sound check and warm-up
⁃ 18:00 vegetarian meal served for all OCS participants
⁃ 19:00 doors open for audience
⁃ 19:30 start 1st set (sharp)
⁃ OCS has stadard equipment delivered by STEIM: speakerboxes, cables, mixer. Standard. For more specific requests pleas contact Nico Bes > nico@steim.nl + 06236887777.
⁃ OCS has a tuned baby grand piano
⁃ OCS is a no/low budget collective initiative supported and made possible by the ongoing support of a variety of volunteering individuals including curators and performers.
⁃ OCS will cover domestic travel expenses made by OCS curators and performers.
⁃ OCS does not work with ‘guestlists’. Paying the modest 6 euro admission is not only considered a gesture of financial support but also as a gesture of moral commitment to keep the series going. Nobody ‘earns’ in this series. All entrance is re-invested in catering and coverage of doemestic travel expenses, small repairings and piano tuning.
⁃ OCS Curators and performers are especially asked to promote OCS editions they participate in actively, via social media and other channels.
⁃ OCS participants can sell their cd’s at the bar.Thank you for cooperating with OCS.
[Music/Film] SUB UMBRA ALARUM LUNA by Carl Abrahamsson
Carl Abrahamsson has been a founder or member of so many projects in so many genres of art that his name is ubiquitous in the experimental/occult music world. He’s preparing a new music project influenced by cult director Derek Jarman’s film, In The Shadow Of The Sun. The music will be performed by Cotton Ferox, yet another amazing band Carl has founded.
For more on the project, visit his Kickstarter page and marvel at the tranquil beauty of both the music and the images.
[Music] Novogradska – Коњаници
Truly one of the best artists working in Macedonia, Novogradska has a decade’s worth of amazing work in electronic music, indie and soundtrack work for the legendary film director Milcho Manchevksi.
[Music] Soft Machine – Eamonn Andrews
Brilliant jazz-rock from the best of the Canterbury Scene, Soft Machine!
[Music] Shockabilly – Happy New Year
Oh, be quiet. It was either Shockabilly or U2.
[Music] Augustus Pablo – Ital Dub
Augustus Pablo turns out the be the first post of the year. A bit of Dub to start of 2016 works for me.
A Miscellany Of Tasteful Music 