The Subhumans were one of the few anarcho-punk bands I could tolerate during the late 1980s, and though the music sounds pretty dated today, this album is a pretty good snapshot of what I was enjoying nearly three decades ago.
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[Music] Gealdýr – Sól
I never will be too big into the idea of a “Norse” religious construction, but the music coming out of it is astounding for its beauty and quality. Groups like Norway’s Wardruna seem to be leading the way, but if this album is any indicator, Gealdýr, who hail from The Netherlands, doesn’t seem to be too far behind.
[Music] Via Dacă – Paparuda
[Music] Naujawanan Baidar – Volume 1
It’s not everyday you come across Afghan experimental music recorded in the Arizona heat. Myrrors vocalist/guitarist N.R. Safi had composed these tracks as mere impressions (expect a Volume 2 to be released shortly), but the quality of these pieces stand out. These could hold their own with the best of 1980’s cassette culture. A brilliant debut, though Safi is planning to do a properly recorded album sometime soon, adding to his psychedelic CV.
[Music] Glåsbird – Svalbarð
This album by Glåsbird is so utterly enthralling to my ears that I feel like the angels are talking to me at the moment. There is a sense of a cool peace that this album is making me feel at the moment in a grimy, grotesque Beijing that I have to thank the creators of this sublime work for their efforts to keep me sane in this very, very odd place.
From the Whitelabrecs Bandcamp site:
In February 2019 we released the debut album by an anonymous artist named Glåsbird, in the form of Grønland, a sonic expedition of Greenland. The album received much critical acclaim despite being from an anonymous artist and was even featured on Bandcamp Daily under their ‘best Ambient’ feature. CD copies of this record have long since sold out, but the Glåsbird continues its flight to a new destination: Svalbard.
Svalbard lies 78 degrees north, is inside the Arctic Circle and had a population of around 2600 people and an estimated 3000 polar bears! Its calendar year divides between the midnight sun and the polar nights. The former is a period of constant daylight and the latter is the opposite. However, the dark season is broken from time to time by spectacular Northern Lights.
In Svalbarð, Glåsbird became immersed once more in this next excursion, through means of Google Earth, 360° photos, blogger accounts of the isles, maps and also, videos by Efterklang who were an obvious reference point with the band having visited.
This time, we are treated to a greater number of tracks, as ten movements weave Modern Classical influenced Ambient soundscapes. The pristine, polished reverb of Grønland is replaced with a slightly muddier, more lo-fi approach to the sound as the artist strived to present a tape-eroded aesthetic to their work. The recordings deal with dramatic landscapes, glaciers, an abandoned coal community, a seed vault, the Island’s capital city Longyearbyen and of course, polar bears. Each piece feels icy cold, yet the warmth and hiss provided by the decaying tape effects provide a comfort blanket for the listener as perhaps you take in these scenes from a lonely cabin, at one with isolation and natural beauty.The packaging for the album includes photography from Svalbard itself, courtesy of Aldona Pivoriene who is a professional photographer based in Norway. We are also set to release the next Glåsbird album next year. Where will the destination be? For now, we hope you enjoy immersing yourself in this new set of works exploring Svalbard.
Cold-climate ambient.
[Music] Art Zoyd – Génération Sans Futur
I must have been about 17 years old when a disc called Symphonie pour le jour où brûleront les cités, Musique pour l’Odyssée and Archives 1, performed by a band I had never heard of called Art Zoyd, kept staring me in the face, while I heard voices in my wallet saying, “Take it.” I had just recently discovered Univers Zero, a contemporary band, and was told by the ever-knowledgeable staff at Rhino Records in Claremont, California, that it was a winner. Indeed, it was, and it was unlike anything I had ever heard up until that point. Chamber-rock wasn’t in my vocabulary at the time, but that would be the term which fit the band best. It’s good to see this album in its proper form, but I really do hope that Sub Rosa, who took the time to do such a wonderful job producing this disc, re-releases Art Zoyd’s whole back catalog, including bonus tracks. Each disc has been worth it.
[Music] Various Artists – MUSIC FROM THE SONOTON LIBRARY 1969 – 1981: RARE PSYCH, MOOGS & BRASS
As lounge music and easy listening were massive during the 1990’s, library music seems to be the rage for today. So many labels are releasing wonderful compilations that it’s nearly impossible to keep up with what’s coming out, and what belongs on the top shelf. Buried Treasure Records seems to have come out with the year’s best library comp, which also happens to be available on vinyl and CD. Check out these tracks by no-name artists who deserved a better fate than to be forgotten for so long. All the material is brilliant!
[Spoken Word] Paul Bowles – Black Star at the Point of Darkness
Paul Bowles was uniquely gifted in how he portrayed his beloved Sahara Desert, as well as the stories who heard and wrote in Morocco. Even better is his reading of said material, done with the elegance of a master storyteller.
[Music] The Beatles – Norwegian Wood
Surely this will be taken down soon, so enjoy the beauty of the song while you can.
[Music] NERATERRÆ – The Substance of Perception
Alessio Antoni is a friend of the blog, having made a previous appearance with his disc The NHART Demo[n]s in March of 2018. His latest release surpasses even that dark masterpiece of a debut, partly because he continues to explore the depths of sound, and partly because he was a few guests adding a few jewels to his crown. Read on those guests who are participating in this recording. They are the best of modern dark ambient music. Alessio deserves to be held in the same esteem. We look forward to see what he has next for us.
From his Bandcamp site:
NERATERRÆ’s debut album “The Substance of Perception” (out on Cyclic Law records) is a daring collaborative work featuring some of the finest artists from the Dark Ambient, Drone, Cinematic and Ritual Music scene: Northaunt, Alexey Tegin from Phurpa, Treha Sektori, New Risen Throne, Flowers For Bodysnatchers, Taphephobia, Ugasanie, Xerxes The Dark and Infinexhuma.
The sound palette shifts between both stark atmospheres, melancholic ambiance and dense claustrophobic drones. Alternating between obscurity and light and oscillating between the ineffable detachment from the tangible and the relentless transmogrification of the self.