[Music] Flying Hórses – Tölt

https://bandcamp.com/EmbeddedPlayer/album=13310399/size=large/bgcol=ffffff/linkcol=0687f5/package=4294530313/transparent=true/
Flying Hórses are one of those bands who give me hope that post-rock will continue to grow, mutate and keep developing wonderful strains in their genre.  This Canadian troupe had help from the likes of Nicolas Petrowsky (Godspeed You! Black Emperor) who mixed this album, and Birgir Jón Birgisson of Sigur Rós, who mastered it.

[Music] Saenïnvey – The Path — music won’t save you

SAENÏNVEY – The Path (Eilean, 2016) Visioni gassose, come quelle delle nubi osservate dal finestrino di un volo intercontinentale: potrebbero essere state anche tali immagini, nel corso dei suoi voli tra Francia e Vietnam, ad aver ispirato Yves-Gaël Jacak per il suo album di debutto sotto l’alias Saenïnvey. Non a caso i sei brani che […]

via — music won’t save you

If you read Italian, this blog is indispensible for new music.

[Music] Ashberry ~ In Music We Are Still Together (Art Edition) — a closer listen

https://w.soundcloud.com/player/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F251073943&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false

Atay Ilgun (Ashberry) calls this edition “the most precious collection of music ever released from Wounded Wolf Press,” and having seen the hard copy in person, we have to agree. In Music We Are Still Together is a generous offering that includes three discs, a handmade, hardbound case, a short book of poetry and a phial of […]

via Ashberry ~ In Music We Are Still Together (Art Edition) — a closer listen

[Music] Valeri Fabrikant / CLC

From The Sunday Experience:

there was a time in mid to late 90’s when it seemed like Montreal was the centre of the musical universe, beneath the safe haven of Constellation records the likes of godspeed and fly pam am where left to nurture their post rock atmospherique. Some two decades down the line, yes two decades, time really does fly, its seems as though Veleri Fabrikant and CLC have keenly been influenced, influenced enough in fact to embrace that same spirit by tailoring their collaborative epic in the shadows ‘say goodbye to the world as we know it’ in the same kind of quietly majestic intricacy. At nearly 14 minutes in length ‘sun worshippers / gold diggers’ provides for a masterclass in both refrain / sustain and poise / pause, like the Grails magnified at quarter speed, there’s a dark beauty evolving and dissolving here amid a panoramic canvas populated by the sparse drone detailing and squirrelling scrapes that suggests an affinity with Kranky acts LaBradford and Stars of the Lid while likewise serving upon something carved with such stilled grandeur one suspects closer inspection might well be rewarded several fold.

Read more at their blog here.

[Music] Amplidyne Effect – Patternized Movements

https://bandcamp.com/EmbeddedPlayer/album=4057597272/size=large/bgcol=ffffff/linkcol=0687f5/transparent=true/

Post Global Recordings has been active in the Macedonian electronic/experimental music scene for a number of years. They’ve been releasing works onto Bandcamp, and this release by producer Martin Georgievski (a.k.a. Amplidyne Effect) is the label’s most recent. Icy post-rock mixed with airy electronic tones which keep one engaged in the way one listens to modern contemporary classical music.

[Music] Fred Lorca – Sonic Gringo

https://bandcamp.com/EmbeddedPlayer/album=271230897/size=large/bgcol=ffffff/linkcol=0687f5/transparent=true/

Imagine if DAF discovered cumbias in the 1980s with lo-fi equipment, but made up for it with a high, hazy, nearly psychedelic level of energy? Friends, I give you Fred Lorca, a composer originally from Argentina who had been residing in Spain for some years, and is, perhaps, once again residing in the Southern Cone.

This album isn’t imbued with kitschiness like, say, Señor Coconut. Think Yello, as this has a driving, danceable rhythm while maintaining its focus. That doesn’t mean it’s all serious, as there are small, cheeky interludes, and a feeling of a gang-land soundtrack in these rhythms.