There’s not much better than New Wave era Ultravox!
The Gorehounds are, perhaps, Ireland’s finest rock band. No, U2 isn’t, sorry. They haven’t put out a great record since The Joshua Tree. These guys, rather, were a pure rock and roll band.
Though not as long in the tooth as INA-GRM nor as exotic as the scenes in places like Egypt or Iran, it seems that Ireland has developed a venerable electroacoustic music scene which has spanned over five decades. This compilation, A Map of the Kingdom of Ireland, a compilation of Irish Electro-Acoustic music featuring works by Ireland’s most celebrated Electro-Acoustic artists, was released on March 2, 2018 by Dublin, Ireland-based Heresy Records, is quite a gem of not only electroacoustic music, but of pure, non-theoretical music of many stripes, including contemporary classical and even new wave/post-punk.
The comp starts off gently with a cut by Paul Morrin. It is a bit like a boat taken off its moorings, and drifts along until about the two-minute mark, when the tempo changes to something a bit more lively and focused – one could even say it has a post-rock feel to it, reminding me a bit of the band éf.
Tóirse Ó Ríordáin comes up next with something that feels slightly like an early Penguin Café Orchestra piece if it were composed somewhere near the border of Brazil and Colombia.
It is Daniel Figgis’ piece, Timothy Cream’s Crown of Wines, which really gets into a more freeform composition, referencing avant-garde music and perhaps Krautrock. There is a lilting, marching quality to the composition which allows one to drift off into the ether while.
Even freakier are the two pieces turned in by Dublin mainstay Roger Doyle. This is a bit away from the avant-garde – this feels more like a cleaner, more updated sound referencing Tangerine Dream. As my old Kraut friends would say, “sehr Kosmisch…”
The fun surprise of the compilation for me were the two tracks included by Princess Tinymeat (a reference to actor Montgomery Clift’s… er… shortcomings in the boudoir, I’d imagine). His (her?) back catalog is screaming for a re-release, as I haven’t come across this name since I was collecting cassettes in the late 1980s.
Finally, Spooky Ghost gets a mention for some of the most pleasant guitar work I’ve heard since Vini Reilly was in peak form with the Durutti Column in the early 80s.
There isn’t a duff track on the compilation. If you find this collection enjoyable, you may want to also consider purchasing On The Nature Of Electricity & Acoustics, another remarkable compilation curated, this time, by Figgis.
1. Compass – Paul Morrin
2. Atop D’Seefin (Educution remix) – Tóirse Ó Ríordáin
3. Timothy Cream’s Crown of Wines – Daniel Figgis
4. Avant Garde Your Grille – Deep Burial
5. Little Train To Heaven – Richard G. Evans with Daniel Figgis
6. Eighties Rampwalk – Roger Doyle
7. Sleep Circus (remix) – Paddy Hunt vs. Charles
8. Richard Harris Blesses The Dawn Flotilla At Guilvinec – Cathal Coughlan with the Grand Necropolitan String Band
9. Finale from The Room In The Tower – Roger Doyle
10. handsinmyhead – GREETINGS
11. DriftDin – Vincent Doherty
12. Arcticus – Donald Teskey
13. Your Majesty – Princess Tinymeat
14. Stutter – Spooky Ghost
15. Unscan Ó Malley – Tóirse Ó Ríordáin
16. MegaMix – Princess Tinymeat
17. Wandering Compass – Paul Morrin
* The digital version of the album includes the following four tracks
18. Old Piano – Vincent Doherty
19. Reverse – SOM
20. Audacity – Deafector
21. Rampwalk – Roger Doyle / Olwen Fouéré
Some classic post-punk for you, courtesy of The Three Johns.
Mark E. Smith, frontman of legendary UK post-punk band The Fall, has died. The Fall’s manager, Pam Van Damned, confirmed Smith’s passing in a brief statement provided to Consequence of Sound. “It is with deep regret that we announce the passing of Mark E. Smith. He passed this morning (24th January) at home. A more detailed…
The Hippest of Priests has departed this mortal coil. Mark E. Smith was 60 years old. May he rest in peace.
My brother and I, and millions of boys and (especially) girls grew up with Duran Duran. That Cleopatra Records, undoubtedly the kings of the reissue scene, would release these demos done with former singer Andy Wickett comes as a pleasant surprise.
The Big Takeover Magazine has plenty of background information on this intriguing release, and do take the time to hear Girls On Film in a very raw, far less-polished but perfectly acceptable form.
It boggles the mind how many amazing punk and post-punk bands came out of the former Yugoslavia. It’s also a crying shame that so few labels have bothered to reissue these gems, dating as far back as the New Wave days.