[Music] Uncompromising Instant composing solo set and ensemble set

Many thanks to our friend Raoul van der Weide, who let us know about this upcoming event at the Huis de Pinto!

PINTOTONICS n+1 edition October 10th 2016

HUIS DE PINTO
St Antoniebreestraat 69
1011 HB AMSTERDAM
www.huisdepinto.nl
020-3700210 > reservatons

20:00 doors open
20:30 start solo set
23;00 end of evening

Entrance 10 + 7 (studenst/cjp)

SET 1 SOLO
RAOUL VAN DER WEIDE/Contrabass, Crackle Box, Sound Objects
Facebook & www.raoulvanderweide.nl

SET 2 ENSEMBLE
Mask Quartet

Ada Rave/tenor sax & clarinet & toys
Mette Rasmussen/alto sax
Susana Santos Silva/trumpet
Kaja Draksler/piano
www.bimhuis.nl/agenda/october

This unique quartet assembles richly talented young european woman improvisers.
Ada, Mette, Susana and Kaja will perform also at the BIMhuis October Meeting festival on 7, 8 and 9 October playing in different
combinations with a bunch of other young and creative Europena impovisers.

[Music] Destruktionsanstalt – Swedenborg

Though it must amuse my confessors to no end, I grew up enjoying the bleakest of sounds in early Industrial music and the black ambient music which followed about a decade or so later. The best of the lot seem to be growing out of the calm climes of Scandinavia, and the best of that lot is coming, these days, from Denmark. Per Najbjerg Odderskov, known by aliases like Destruktionsanstalt, Liller_Per, God Cancer, Left Hand Of God, Lidane Livering, and The G.R Orchestra, has a long, storied history in the saga of black ambient music.

As Destruktionsanstalt, Per graces us with one of the most beautifully bleak compositions I’ve heard in quite some time. In a scene where children think they’re being cute by inverting a cross (sorry, St. Andrew beat you to that one) and turning on a vacuum cleaner, and then having the nerve to try to sell this to an unsuspecting sucker, it is good to hear a master craftsman carve the equivalent of a Caravaggio out of pure black matter.

Going through the tracks, one can feel a lot of heavy vibes, deep emotion, and perhaps despair. This isn’t meant to make the CD sound like a gruesome experience, however – far from it, in fact. There’s a beauty even in the darkest of music, as the act of composition itself is a life-bringing experience. The packaging for this CD is also quite exquisite, done more to look like a book or a piece of art rather than a mere jewel-case.

For connoisseurs of black ambient, it’s quite an honor to present to you a crowning jewel for your collection.