Disques Debs International Volume 1. Label: Strut. Release Date: ‘29th’ July 2018. Compilation Of The Week. Nowadays, Disques Debs International which was founded by Henri Debs in Guadeloupe, in the late-fifties, is regarded by many connoisseurs as the one of the best, if not greatest of all French Caribbean labels. That is high praise, given […]
Abu Obaida Hassan had a wonderful career during the 1970s and 1980s making the kids sway in Khartoum, Sudan with his tambour, but by the second decade of this century, Sudanese media pronounced him dead. Thankfully, he is far from it, and courtesy of Ostinato Records, he has a fine retrospective coming out on May 18, 2018.
Though not as long in the tooth as INA-GRM nor as exotic as the scenes in places like Egypt or Iran, it seems that Ireland has developed a venerable electroacoustic music scene which has spanned over five decades. This compilation, A Map of the Kingdom of Ireland, a compilation of Irish Electro-Acoustic music featuring works by Ireland’s most celebrated Electro-Acoustic artists, was released on March 2, 2018 by Dublin, Ireland-based Heresy Records, is quite a gem of not only electroacoustic music, but of pure, non-theoretical music of many stripes, including contemporary classical and even new wave/post-punk.
The comp starts off gently with a cut by Paul Morrin. It is a bit like a boat taken off its moorings, and drifts along until about the two-minute mark, when the tempo changes to something a bit more lively and focused – one could even say it has a post-rock feel to it, reminding me a bit of the band éf.
Tóirse Ó Ríordáin comes up next with something that feels slightly like an early Penguin Café Orchestra piece if it were composed somewhere near the border of Brazil and Colombia.
It is Daniel Figgis’ piece, Timothy Cream’s Crown of Wines, which really gets into a more freeform composition, referencing avant-garde music and perhaps Krautrock. There is a lilting, marching quality to the composition which allows one to drift off into the ether while.
Even freakier are the two pieces turned in by Dublin mainstay Roger Doyle. This is a bit away from the avant-garde – this feels more like a cleaner, more updated sound referencing Tangerine Dream. As my old Kraut friends would say, “sehr Kosmisch…”
The fun surprise of the compilation for me were the two tracks included by Princess Tinymeat (a reference to actor Montgomery Clift’s… er… shortcomings in the boudoir, I’d imagine). His (her?) back catalog is screaming for a re-release, as I haven’t come across this name since I was collecting cassettes in the late 1980s.
Finally, Spooky Ghost gets a mention for some of the most pleasant guitar work I’ve heard since Vini Reilly was in peak form with the Durutti Column in the early 80s.
There isn’t a duff track on the compilation. If you find this collection enjoyable, you may want to also consider purchasing On The Nature Of Electricity & Acoustics, another remarkable compilation curated, this time, by Figgis.
1. Compass – Paul Morrin
2. Atop D’Seefin (Educution remix) – Tóirse Ó Ríordáin
3. Timothy Cream’s Crown of Wines – Daniel Figgis
4. Avant Garde Your Grille – Deep Burial
5. Little Train To Heaven – Richard G. Evans with Daniel Figgis
6. Eighties Rampwalk – Roger Doyle
7. Sleep Circus (remix) – Paddy Hunt vs. Charles
8. Richard Harris Blesses The Dawn Flotilla At Guilvinec – Cathal Coughlan with the Grand Necropolitan String Band
9. Finale from The Room In The Tower – Roger Doyle
10. handsinmyhead – GREETINGS
11. DriftDin – Vincent Doherty
12. Arcticus – Donald Teskey
13. Your Majesty – Princess Tinymeat
14. Stutter – Spooky Ghost
15. Unscan Ó Malley – Tóirse Ó Ríordáin
16. MegaMix – Princess Tinymeat
17. Wandering Compass – Paul Morrin
* The digital version of the album includes the following four tracks
18. Old Piano – Vincent Doherty
19. Reverse – SOM
20. Audacity – Deafector
21. Rampwalk – Roger Doyle / Olwen Fouéré
All About Jazz does a splendid job interviewing Leonardo Pavkovic, whose imprint MoonJune Records has released some of the most vital discs of the past five years in the field of jazz and avant-progressive rock.
This is a mindblowing compilation of Tanzanian music when the country was not yet united (Zanzibar and Tanganyika were apart just before they came together in 1964). German ethnomusicologist Werner Graebner, producer of the Zanzibara series on Buda Musique, is responsible for putting this comp together for French label Ouch! Records. Give the whole album a deep listen. Much rumba, taraab and Swahilia popular music styles to be found here.
The label’s roster has always featured a wide breadth of sonic explorers, from ambient artists through very heavy metal and post-metal acts to jazz fusion.
It’s amazing to think that this label has been around for 20 years, and I missed a good fifteen of those due to ignorance. May they have another happy 20.
This is one of the few times you won’t see me share a Bandcamp link for a release like this. My colleague Andrey Kireyev let me know about this release, and I’m very much thankful he did!
Nostress Netlabel isn’t a one-trick-pony label. The genres covered include Psychedelic, Post Rock, Avant-garde, Electronic and Electroacoustic music. The breadth of what they are covering is incredible, and the label is offering this compilation as a FLAC file release for free.
This is a great way to acquaint yourself with one of the best netlabels operating today.
Lebanese DJ and crate-digger supreme Ernesto Chahoud has done sterling work collecting some of the most impressive 7-inch sides to come out of Ethiopia. BBE Records has done a great job in remastering and packaging this collection. What I’m looking most forward to is seeing the 3-LP collection. It looks gorgeous.
Finders Keepers have released 100 of the most brilliant reissues imaginable. Spanning from weird African tapes to Jean Rollin horror soundtracks, the lads at FK seem unstoppable at the moment. Here’s to another 100 gems, at least!
I can’t imagine a cooler soundtrack compilation than this one unless Jess Franco’s sountrack works also get reissued.
Jean Rollin was the master of sleazy Euro-horror with a career span of five decades. This comp covers some of the best partners he had in conveying a blood-splattered, gruesome, erotic, cheesy mess onscreen.
Nothing but love for Finders Keepers, who released this gem as a download as well as vinyl.