[Music] Mamadou Diabate, Dramane Dembélé, Claudio Spieler – Barokan

The month of September was rather spectacular for me.  First, I was able to see my beloved friends in Skopje, Macedonia, where people are almost as close as my own blood relatives.  The next little joy I experienced was going to the Without Borders World Music Consortium, where I had the pleasure to re-connect with comrades who spend their days promoting the best of World and Ethno Music in their respective countries.

I am especially indebted to seeing Stefanie Schumann of Delicious Tunes, who introduced me to the work of Mamadou Diabate, a balofon player originally from Burkina Faso (now residing in Vienna, Austria, if I’m not mistaken).  After being blown away by his band, who were showcased on the final evening of Without Borders (along with Breton sensations Plantec), I was given a CD which featured not only Mamadou and fellow countryman, the pelu (flute) player Dramane Dembélé and Austrian percussionist Claudio Spieler.

After having the honor of meeting Mamadou, I was given some rather impressive background information. He comes from a Samba “Jeli” family, and has several works available (all of which we hope to review in the future).

Throughout the disc, the musicians play very comfortably together, as if they had been a trio for a long time. As it turns out, Mamadou and Dramane perform together with some frequency, but Claudio’s percussion work underpins the the balafon and peul beautifully.

Where the album shines, however, is when Mamadou sings, especially on the song Koroya. His voice, in harmony with Dramane’s reminds me of the best of West African music, and the balafon adds even more body, serving, in some sense, as a third voice.

The record is pretty much flawless, and will we a welcome addition to World Music connoisseurs into their collection.  To purchase the CD, either contact Mamadou directly, or Delicious Tunes.

[Music] JOHN 3:16 – Sinner’s Prayer

Wave after wave of beautifully crunchy, hypnotic drone is what makes JOHN 3:16’s new release (a reissue from 2011, apparently), a 30-minute affair, so appealing. The guitar playing is so heavily textured that you feel like a sonic blanket has wrapped you up, making you forget, albeit temporarily, the vagaries of the world.  Drone music tends to be hazy, but this release would have been a stunner during the psychedelic 1970s as much as it is today.

This is a stunning mini-album. Many compliments to Philippe Gerber, JOHN 3:16’s leader and guitarist, for pointing me to this reissue.

[Music] Tanbou Toujou Lou: Meringue, Kompa Kreyol, Vodou Jazz, & Electric Folklore from Haiti 1960 – 1981

It’s not often that I get to post on a release from Haiti, as I’ve never really had reliable contacts who could guide me to what treasures lie underneath that island which suffers so much.  This release from Ostinato Records, a small label out of New York who are doing some incredible reissues from various parts of Africa (think Somalia and Cape Verde for starters), put together this remarkable collection of tracks recorded not only in Haiti’s capital of Port-au-Prince, but among the expatriate community residing in Brooklyn, New York.

[Music] Introspect Void – Behind the Fallen Monuments of Time

I don’t know if today is Flashback Day, but the last three posts have brought some very, very good memories of the period in my life between 1988-1992, when I was absolutely immersed in Electronic Body Music (as well as the alternative music scene of my youth).

Introspect Void are not a band from the late 1980s, but you get the feeling they sat at the feet of the masters, added a cleaner, more crisply-recorded music, but retaining that dark, foreboding vibe that made Frontline Assembly, Front 242, and bands of this stripe so much fun to listen to.

[Music] Silver Rose – Silver Rose

I know of quite a few artists in Brazil who are doing stupendous work in the genre of Shoegaze music, but this release by Silver Rose, a Mexican band, equals or surpasses these, having a lot in common with their fellow British and American co-practicioners of this sonic art.

Those of you who like Dream Pop will find a lot to enjoy with this release as well, as, for those of us over the age of 40, we’ll remember swaying to Hope Sandoval’s lush vocals. For a moment, this album transported me back to those days. A keeper.