[Music] Jean Derome ~ Résistances

https://bandcamp.com/EmbeddedPlayer/v=2/album=2869107808/size=large/bgcol=ffffff/linkcol=de270f/tracklist=false/artwork=small/

One of the wildest albums of the new year comes from Montreal composer Jean Derome. Even a quick look at the back of the CD, and one knows one is in for a treat: 20 performers on instruments ranging from tuned kalimbas to trombones. The tuning is to 60 Hz, the standard tuning of North American […]

via Jean Derome ~ Résistances — a closer listen

A Closer Listen has become my go-to blog for discovbering new post-rock music. If you are on WordPress, consider subscribing to it. I am rarely disappointed by what they post.

[Music] Sokratis Sinopoulos Quartet: Eight Winds (ECM 2407)

Sokratis Sinopoulos Quartet Eight Winds Sokratis Sinopoulos lyra Yann Keerim piano Dimitris Tsekouras bass Dimitris Emanouil drums Recorded April 2014 at Sierra Studios, Athens Engineer: Giorgos Karyotis Produced by Manfred Eicher U.S. release date: January 15, 2016 Sokratis Sinopoulos is a master of the lyra, a bowed instrument whose lilt has polished a handful of […]

via Sokratis Sinopoulos Quartet: Eight Winds (ECM 2407) — between sound and space: ECM Records and Beyond

Straight from ECM Records‘ site, the label introduces us to the music of Sokratis Sinopoulos.  What gorgeous listening for this Eastern Orthodox Christmas Eve!

[Music] A.M Ferrari Fradejas – Requiem No. 2

We’re treated to the year’s first Bandcamp surprise, thanks to our beloved friend A.M Ferrari Fradejas, currently based in Barcelona, Spain.

Despite its 13-minute length, the composition packs a lot of time changes, churning guitars, an eerie choral section reminding one of a solstice ritual melded with her trademark progressive/improvisational sound. I hope that either a full album is forthcoming soon, or that works in this style are further expanded upon.

Blissful!

[Music] Karolina Ossowska & Jeff Gburek – The Falls of Hyperion

The incredibly prolific Jeff Gburek, currently based in Poland and partnering with violinist Karolina Ossowska, put together their latest labor of love, and though I don’t normally engage in Top-Ten lists for year’s end, I think it fair to say that this release is his most beautifully crafted, most thoughtful and profound releases.

The album was recorded in Romania and Poland between September 2016 and October 2017. On top of the incredible range of instrumentation, there are many field recordings which give a life to each track that one rarely finds in experimental music.

Of particular interest are the spoken word portions of Track #4, Hyperions 4 (Lift Not The Painted Veil). From the notes left by Gburek and Ossowska, the first text is a piece written by Percy Bysshe Shelley bearing the same name.  The second is a work penned by Gburek himself.  Both are read with a warm but darkened tone which envelops the listener as much as the instrumentation does.

Easily one of 2018’s best releases, regardless of genre.

 

[Music] Mamadou Diabate, Dramane Dembélé, Claudio Spieler – Barokan

The month of September was rather spectacular for me.  First, I was able to see my beloved friends in Skopje, Macedonia, where people are almost as close as my own blood relatives.  The next little joy I experienced was going to the Without Borders World Music Consortium, where I had the pleasure to re-connect with comrades who spend their days promoting the best of World and Ethno Music in their respective countries.

I am especially indebted to seeing Stefanie Schumann of Delicious Tunes, who introduced me to the work of Mamadou Diabate, a balofon player originally from Burkina Faso (now residing in Vienna, Austria, if I’m not mistaken).  After being blown away by his band, who were showcased on the final evening of Without Borders (along with Breton sensations Plantec), I was given a CD which featured not only Mamadou and fellow countryman, the pelu (flute) player Dramane Dembélé and Austrian percussionist Claudio Spieler.

After having the honor of meeting Mamadou, I was given some rather impressive background information. He comes from a Samba “Jeli” family, and has several works available (all of which we hope to review in the future).

Throughout the disc, the musicians play very comfortably together, as if they had been a trio for a long time. As it turns out, Mamadou and Dramane perform together with some frequency, but Claudio’s percussion work underpins the the balafon and peul beautifully.

Where the album shines, however, is when Mamadou sings, especially on the song Koroya. His voice, in harmony with Dramane’s reminds me of the best of West African music, and the balafon adds even more body, serving, in some sense, as a third voice.

The record is pretty much flawless, and will we a welcome addition to World Music connoisseurs into their collection.  To purchase the CD, either contact Mamadou directly, or Delicious Tunes.