I want to thank István Csarnogurszky, guitarist of Silent Island and musician in several amazing post-rock bands, for this new little gem of an album. His guitar playing is as fluid as ever, and as much as I like instrumental guitar albums, Csarnogurszky is ably supplemented by Gábor Károlyi on bass guitar and Mike Vecchione, who provides drum loops.
Dense, but not overwhelming. A very pleasant album to think to, but it can take you places if you want to concentrate solely on the music.
There are so many good neo-krautrock and neo-psychedelic bands that it’s almost impossible to keep up with them. It seems a new one comes out every day, and the quality is consistently great.
Take Expo ’70, a band out of Kansas. They tie together Krautrock with a minimalist aesthetic that balances out very well.
You have to be something else to make a song called Andrei Rublev, especially one with a Krautrock influence. Nice one, lads!
Liverpool psych-pop five-piece The Vryll Society have released a new single, “Andrei Rublev.”
The band are currently working on their debut album, and have released a series of singles and an EP titled Pangea through famed Liverpool indie label Deltasonic Records (The Coral, The Zutons, White Room). The band recently supported The Kooks, Blossoms and The Coral in the U.K., and they also made an appearance at last year’s SXSW festival in Austin.
Their stunningly beautiful new song, “Andrei Rublev” is as mellowing as it is hypnotic, with frontman Mike Ellis’ calming lead vocals, their kraut-rock rhythm section, lush synth soundscapes and intricate psych guitar lines. The song’s raw power sneaks up on listeners with its trotting bass line and shimmering Procol Harum-esque keyboards before it erupts with euphoric sonic textures and biting guitar solos.
The Vryll Society’s new track’s title refers to a 1966 Soviet historical drama of the…
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The first time I came across San Francisco, California resident Leila Abdul-Rauf’s name was when she was playing with the all-female avant-garde metal/dark ambient band Amber Asylum. She has become a far more powerful musician as time has passed (if you know anything about her previous work, that’s very high praise), and, given the brutal darkness of the one track shared, this new album should end up quaking my speakers rather badly (and yes, I’m looking forward to that).
The album is due to be released on April 13.
Planeta Post-Rock is a (you guessed it) post-rock label out of Portugal. So far, from what I gather, they have made four compilations, with Flama being their most recent. It was released on April 1, so it’s all of a few days old, and it paints a great picture of what the post-rock and post-metal scene must be like old Lusitania.
If you feel like purchasing the whole catalog for 3 Euros, click on this link here.
The label’s roster has always featured a wide breadth of sonic explorers, from ambient artists through very heavy metal and post-metal acts to jazz fusion.
via 20 Years of Southern Lord’s Dark and Heavy Art — Bandcamp Daily
It’s amazing to think that this label has been around for 20 years, and I missed a good fifteen of those due to ignorance. May they have another happy 20.
I’m not sure about the other bands in Tuscon, Arizona, but local lads The Myrrors are swimming in a sea of sludge and LSD. This is slow, plodding, and very, very effecting stoner rock.
L’arte della vita sta nell’imparare a soffrire e nell’imparare a sorridere. H. Hesse
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