[Music] A.M Ferrari Fradejas – Requiem No. 2

We’re treated to the year’s first Bandcamp surprise, thanks to our beloved friend A.M Ferrari Fradejas, currently based in Barcelona, Spain.

Despite its 13-minute length, the composition packs a lot of time changes, churning guitars, an eerie choral section reminding one of a solstice ritual melded with her trademark progressive/improvisational sound. I hope that either a full album is forthcoming soon, or that works in this style are further expanded upon.

Blissful!

[Music] Z’ev – Live in Iceland

We lost another legend today.

Percussionist Stefan Weisser, known to his fans and colleagues as Z’ev, passed on today at the age of 66. He left a body of work so important in experimental music that I expect tributes to pour out for days (including this one from our pals in Lithuania, Radikaliai!).

This free download is a release Z’ev did in Iceland in 2004. It gives a nice taste of what he could do with percussion.

[Music] Bandcamp Daily: The Best Albums of 2017

Here are this year’s (disappointing, as usual) Bandcamp toppers of 2017. No Santiago Fradejas. No A.M. Ferrari-Fradejas. Nor Jeff Gburek. Nor Marco Lucchi. Nor Noël Akchoté. Nor so many other deserving artists who don’t offer up a plate of decent, non-offensive pseudo-soul, hip-hop or tacky dance music. Ah, well.

For your perusal, click on the links below. You WILL find some gems in here.

#1-20
#21-40
#41-60
#61-80
#81-100

[Music] Mamadou Diabate, Dramane Dembélé, Claudio Spieler – Barokan

The month of September was rather spectacular for me.  First, I was able to see my beloved friends in Skopje, Macedonia, where people are almost as close as my own blood relatives.  The next little joy I experienced was going to the Without Borders World Music Consortium, where I had the pleasure to re-connect with comrades who spend their days promoting the best of World and Ethno Music in their respective countries.

I am especially indebted to seeing Stefanie Schumann of Delicious Tunes, who introduced me to the work of Mamadou Diabate, a balofon player originally from Burkina Faso (now residing in Vienna, Austria, if I’m not mistaken).  After being blown away by his band, who were showcased on the final evening of Without Borders (along with Breton sensations Plantec), I was given a CD which featured not only Mamadou and fellow countryman, the pelu (flute) player Dramane Dembélé and Austrian percussionist Claudio Spieler.

After having the honor of meeting Mamadou, I was given some rather impressive background information. He comes from a Samba “Jeli” family, and has several works available (all of which we hope to review in the future).

Throughout the disc, the musicians play very comfortably together, as if they had been a trio for a long time. As it turns out, Mamadou and Dramane perform together with some frequency, but Claudio’s percussion work underpins the the balafon and peul beautifully.

Where the album shines, however, is when Mamadou sings, especially on the song Koroya. His voice, in harmony with Dramane’s reminds me of the best of West African music, and the balafon adds even more body, serving, in some sense, as a third voice.

The record is pretty much flawless, and will we a welcome addition to World Music connoisseurs into their collection.  To purchase the CD, either contact Mamadou directly, or Delicious Tunes.

[Music] Conrad Schnitzler & Bernhard Wöstheinrich – 20070709

Conrad Schnitzler was a legendary electronic music composer who passed away in 2011. Four years beforehand, he collaborated with a young fellow German musician called Bernhard Wöstheinrich, who was well over 30 years his junior. The collaboration produced one hour-long track which builds, grinds, throbs and swells in a way that is abrasive, yet pleasant.

The release is on Iatepus Media, and you can read notes from their album on the label site.