[Music] Jeff Gburek – FLOOPS


FLOOPS marks the sixth appearance of American expatriate composer Jeff Gburek to this blog.

His latest release is a collection of loop-oriented pieces played on a prepared guitar.  Though Bandcamp is horrible for this sort of work, I recommend buying the album, putting the tracks into “shuffle” mode, and letting the sounds wash over you. You may hear the same pieces over and over again, but the context will feel different.

FLOOPS ends up becoming several hours’ worth of intensive listening, reminding me somewhat of Brian Eno’s generative music or Adrian Belew’s recent flux experiments.

[Music] Various Artists- Heresy Records: A Map Of The Kingdom Of Ireland

Though not as long in the tooth as INA-GRM nor as exotic as the scenes in places like Egypt or Iran, it seems that Ireland has developed a venerable electroacoustic music scene which has spanned over five decades.  This compilation, A Map of the Kingdom of Ireland, a compilation of Irish Electro-Acoustic music featuring works by Ireland’s most celebrated Electro-Acoustic artists, was released on March 2, 2018 by Dublin, Ireland-based Heresy Records, is quite a gem of not only electroacoustic music, but of pure, non-theoretical music of many stripes, including contemporary classical and even new wave/post-punk.

The comp starts off gently with a cut by Paul Morrin.  It is a bit like a boat taken off its moorings, and drifts along until about the two-minute mark, when the tempo changes to something a bit more lively and focused – one could even say it has a post-rock feel to it, reminding me a bit of the band éf.

Tóirse Ó Ríordáin comes up next with something that feels slightly like an early Penguin Café Orchestra piece if it were composed somewhere near the border of Brazil and Colombia.

It is Daniel Figgis’ piece, Timothy Cream’s Crown of Wines, which really gets into a more freeform composition, referencing avant-garde music and perhaps Krautrock. There is a lilting, marching quality to the composition which allows one to drift off into the ether while.

Even freakier are the two pieces turned in by Dublin mainstay Roger Doyle.  This is a bit away from the avant-garde – this feels more like a cleaner, more updated sound referencing Tangerine Dream.  As my old Kraut friends would say, “sehr Kosmisch…”

The fun surprise of the compilation for me were the two tracks included by Princess Tinymeat (a reference to actor Montgomery Clift’s… er… shortcomings in the boudoir, I’d imagine).  His (her?) back catalog is screaming for a re-release, as I haven’t come across this name since I was collecting cassettes in the late 1980s.

Finally, Spooky Ghost gets a mention for some of the most pleasant guitar work I’ve heard since Vini Reilly was in peak form with the Durutti Column in the early 80s.

There isn’t a duff track on the compilation.  If you find this collection enjoyable, you may want to also consider purchasing On The Nature Of Electricity & Acoustics, another remarkable compilation curated, this time, by Figgis.

Track Listing
1. Compass – Paul Morrin
2. Atop D’Seefin (Educution remix) – Tóirse Ó Ríordáin
3. Timothy Cream’s Crown of Wines – Daniel Figgis
4. Avant Garde Your Grille – Deep Burial
5. Little Train To Heaven – Richard G. Evans with Daniel Figgis
6. Eighties Rampwalk – Roger Doyle
7. Sleep Circus (remix) – Paddy Hunt vs. Charles
8. Richard Harris Blesses The Dawn Flotilla At Guilvinec – Cathal Coughlan with the Grand Necropolitan String Band
9. Finale from The Room In The Tower – Roger Doyle
10. handsinmyhead – GREETINGS
11. DriftDin – Vincent Doherty
12. Arcticus – Donald Teskey
13. Your Majesty – Princess Tinymeat
14. Stutter – Spooky Ghost
15. Unscan Ó Malley – Tóirse Ó Ríordáin
16. MegaMix – Princess Tinymeat
17. Wandering Compass – Paul Morrin

* The digital version of the album includes the following four tracks

18. Old Piano – Vincent Doherty
19. Reverse – SOM
20. Audacity – Deafector
21. Rampwalk – Roger Doyle / Olwen Fouéré

[Music] Nu Guinea – Nuova Napoli


Nu Guinea are a couple of lads from a city which has given me a lot of pleasure and a fair amount of both headaches and heartaches, Naples.  Massimo Di Lena and Lucio Aquilina will be releasing their latest album, an homage of sorts to their hometown, on April 7th.

The one track they have offered as a sample of what’s to come is a very funky affair reminiscent of the work of Tony Allen.  You hear disco, funk and Afrobeat rolled into a rather amazing package.

[Music] Mulatu Astatke and Black Jesus Experience – Cradle Of Humanity

There’s no one even close in the running of who is the King of Ethio-jazz. Until he passes on from this mortal coil, this title is Mulatu Astatke’s to keep.

This record is from May of 2016, and it features him pairing up with the Australian jazz collective Black Jesus Experience. This is the first I’ve heard of them, but they meld quite nicely with Mulatu’s vibraphone-based works.

[Music] Here’s One I Prepared Earlier

Nice to see John Cage and his infamous 4’33” get its due in a proper article written about it.

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Find somewhere to sit, it doesn’t matter where. Imagine a musician entering the space and preparing to perform. Count to two hundred and seventy-three in beats as close to a second apart as you can manage.

Applaud as the performer exits the space.

You have just created a mental facsimile of the most famous work of American composer John Milton Cage (1912–1992). It is called 4’33” and is not, as is commonly assumed, a piece of silence but rather a period of time to notice the sounds, the music if you will, of your environment.

The piece is one of many explorations of expectations and context that Cage undertook during his career, a musical life rooted in the European tradition but moulded and influenced profoundly by Cage’s interest in Eastern philosophy, particularly Zen Buddhism.

It has been said that all behaviour is communication, which certainly includes creating music, one…

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