Avant-Garde

[Music] Various Artists- Heresy Records: A Map Of The Kingdom Of Ireland

/ Rudy Carrera / Leave a comment

Though not as long in the tooth as INA-GRM nor as exotic as the scenes in places like Egypt or Iran, it seems that Ireland has developed a venerable electroacoustic music scene which has spanned over five decades.  This compilation, A Map of the Kingdom of Ireland, a compilation of Irish Electro-Acoustic music featuring works by Ireland’s most celebrated Electro-Acoustic artists, was released on March 2, 2018 by Dublin, Ireland-based Heresy Records, is quite a gem of not only electroacoustic music, but of pure, non-theoretical music of many stripes, including contemporary classical and even new wave/post-punk.

The comp starts off gently with a cut by Paul Morrin.  It is a bit like a boat taken off its moorings, and drifts along until about the two-minute mark, when the tempo changes to something a bit more lively and focused – one could even say it has a post-rock feel to it, reminding me a bit of the band éf.

Tóirse Ó Ríordáin comes up next with something that feels slightly like an early Penguin Café Orchestra piece if it were composed somewhere near the border of Brazil and Colombia.

It is Daniel Figgis’ piece, Timothy Cream’s Crown of Wines, which really gets into a more freeform composition, referencing avant-garde music and perhaps Krautrock. There is a lilting, marching quality to the composition which allows one to drift off into the ether while.

Even freakier are the two pieces turned in by Dublin mainstay Roger Doyle.  This is a bit away from the avant-garde – this feels more like a cleaner, more updated sound referencing Tangerine Dream.  As my old Kraut friends would say, “sehr Kosmisch…”

The fun surprise of the compilation for me were the two tracks included by Princess Tinymeat (a reference to actor Montgomery Clift’s… er… shortcomings in the boudoir, I’d imagine).  His (her?) back catalog is screaming for a re-release, as I haven’t come across this name since I was collecting cassettes in the late 1980s.

Finally, Spooky Ghost gets a mention for some of the most pleasant guitar work I’ve heard since Vini Reilly was in peak form with the Durutti Column in the early 80s.

There isn’t a duff track on the compilation.  If you find this collection enjoyable, you may want to also consider purchasing On The Nature Of Electricity & Acoustics, another remarkable compilation curated, this time, by Figgis.

Track Listing
1. Compass – Paul Morrin
2. Atop D’Seefin (Educution remix) – Tóirse Ó Ríordáin
3. Timothy Cream’s Crown of Wines – Daniel Figgis
4. Avant Garde Your Grille – Deep Burial
5. Little Train To Heaven – Richard G. Evans with Daniel Figgis
6. Eighties Rampwalk – Roger Doyle
7. Sleep Circus (remix) – Paddy Hunt vs. Charles
8. Richard Harris Blesses The Dawn Flotilla At Guilvinec – Cathal Coughlan with the Grand Necropolitan String Band
9. Finale from The Room In The Tower – Roger Doyle
10. handsinmyhead – GREETINGS
11. DriftDin – Vincent Doherty
12. Arcticus – Donald Teskey
13. Your Majesty – Princess Tinymeat
14. Stutter – Spooky Ghost
15. Unscan Ó Malley – Tóirse Ó Ríordáin
16. MegaMix – Princess Tinymeat
17. Wandering Compass – Paul Morrin

* The digital version of the album includes the following four tracks

18. Old Piano – Vincent Doherty
19. Reverse – SOM
20. Audacity – Deafector
21. Rampwalk – Roger Doyle / Olwen Fouéré

[Music] Here’s One I Prepared Earlier

/ Rudy Carrera / Leave a comment

Nice to see John Cage and his infamous 4’33” get its due in a proper article written about it.

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Find somewhere to sit, it doesn’t matter where. Imagine a musician entering the space and preparing to perform. Count to two hundred and seventy-three in beats as close to a second apart as you can manage.

Applaud as the performer exits the space.

You have just created a mental facsimile of the most famous work of American composer John Milton Cage (1912–1992). It is called 4’33” and is not, as is commonly assumed, a piece of silence but rather a period of time to notice the sounds, the music if you will, of your environment.

The piece is one of many explorations of expectations and context that Cage undertook during his career, a musical life rooted in the European tradition but moulded and influenced profoundly by Cage’s interest in Eastern philosophy, particularly Zen Buddhism.

It has been said that all behaviour is communication, which certainly includes creating music, one…

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[Music] Various Artists – Nostress Netlabel Anniversary Compilation Number 7: The Quantum Differences of Universal Sounds

/ Rudy Carrera / Leave a comment

This is one of the few times you won’t see me share a Bandcamp link for a release like this.  My colleague Andrey Kireyev let me know about this release, and I’m very much thankful he did!

Nostress Netlabel isn’t a one-trick-pony label.  The genres covered include Psychedelic, Post Rock, Avant-garde, Electronic and Electroacoustic music. The breadth of what they are covering is incredible, and the label is offering this compilation as a FLAC file release for free.

This is a great way to acquaint yourself with one of the best netlabels operating today.

[Music] Alapastel – Hidden for the Eyes

/ Rudy Carrera / Leave a comment

I’ve been spending a lot of time listening to releases by James Murray’s beautifully-curated label Slowcraft Records.  This one by Alapastel, at least given the two tracks available currently (the whole album will be released on March 9), seems to be the gem of the collection so far.

Lukáš Bulko (the aforementioned Alapastel) is a composer out of Slovakia, where a lot of amazing independent music is coming out of these days.  He manages to patch together a mesmerizing blend of contemporary classical music, a touch of musique concrète, and maybe a speck of post-rock in a way not dissimilar to Ólafur Arnalds. I’m very much looking forward to following which direction Lukáš will go in the future.

For a more in-depth review, I recommend visiting Dan’s review over at Fluid Radio.