
Much respect to Nawa Recordings, one of the only labels in the Arab world promoting radical new music. Bandcamp writes on the label here.

Much respect to Nawa Recordings, one of the only labels in the Arab world promoting radical new music. Bandcamp writes on the label here.
Though we’re not yet allowed to embed the release, it looks like there will be a new release coming in September by The Necks drummer Tony Buck. Our friends at Room 40 Records in Australia will be doing the honors, and you can go directly to their Bandcamp site to pre-order it.
O Yuki Conjugate were an early experimental music troupe out of Nottingham, England. They were not a conventional noisemaker, as their music straddled the line of ambient, experimental and ‘Fourth World‘ music made popular by Jon Hassell and Brian Eno.
This album is a reissue of an album from 1987. It sounds brilliant even after 30 years.
I normally find tribute albums done hours after the death of someone to be ghastly and in poor taste, but Scanner does an honorable job paying homage to Pierre Henry.

From the Bandcamp article, which can be found here:
Russian techno is stylistically varied—from ultra industrial to sleazy disco, hazy cassette labels to crisp and urbane house. But often there’s a moodiness, an underlying bleakness to the sound that feels like it’s channeling a harsher Soviet past. Certainly, experimentation is rife, and “live”-ness is important—musicians performing live hardware shows seem to be every bit as important as DJs. But most important of all, there’s a freshness, a lack of cynicism, a sheer delight in crazed sounds and textures that can make even the most familiar musical tropes feel like you’re hearing them for the first time.
I am well aware that some of my friends and colleagues hate this song, considering it near the bottom of Pierre Henry’s musical canon. So be it.
The reason I’m featuring this tune, however, is for two reasons. First, it was my introduction to Henry’s work. I wasn’t much of a hard-rock guy, and Spooky Tooth didn’t hold a lot of interest for me, but seeing the record cover had me wondering what sort of racket these guys were making. Second, the concept of a rock/experimental mass, based on the Apostolic Christian model, left me intrigued.
I know that Henry’s fellow composer, Pierre Schaeffer, was a devout Roman Catholic, but I read nothing of Henry’s beliefs over the years. Still, it was a nice gesture, an interesting project, and a doorway to Pierre’s far more adventurous works.

Another debt of thanks is owed to the good Al Clark, who posted this treasure on another account. Martin Hannett is known as the producer who brought the best out of so many bands from Factory Records. He put together this paean to English musique concrete composer Delia Derbyshire, who did wonders for the BBC’s Radiophonic Workshop from the 1960s to about 2000.
Pierre Henry, legendary pioneer in the field of musique concrète, passed away today. He was 89.
More to come on his passing shortly.
Today’s pleasant surprise is Blankenberge, a dreampop/shoegaze band out of Russia. Not quite My Bloody Valentine at their peak, but pretty decent nonetheless.
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