[Music] Azu Tiwaline – Draw Me A Silence Part. I

A very pleasant surprise came into my inbox today.  From Azu Tiwaline’s Bandcamp site:

Azu Tiwaline : It’s a new name for a new spirit. The one of a producer willing to find a new sound in her origins which take root in the Sahara and El Djerid region in the south of Tunisia. A sound from the desert, drawing on berberian and saharan transe music that connects human beings with Nature.

Peculiar translations and spellings aside, this album managed to hold my attention the whole way through. Thanks to being better connected to the world, we are beginning to hear more and more musicians come out of Tunisia and the Maghreb who are of an astounding quality. This is 21st Century Berber Music mixes techno, dub, and native Saharan rhythms. Fourth World music, updated.

[Music] Bandcamp Daily: Ifriqiyya Électrique’s Healing Sound Melds Tunisian Banga Ritual With Post-Industrial Noise

April 5 will be a big day in this house, as the French-Tunisian troupe Ifriqiyya Électrique will be dropping a new album.  Bandcamp Daily’s Catalina Maria Johnson does a fine job prepping us for this momentous event.  To be honest, I’m surprised more music isn’t coming from Tunis, a place which has a rich musical heritage.  If there are more musicians like this running around Tunis or in the diaspora, it’d be great to hear them.

[Video] Anouar Brahem – January

While working as a buyer at Aron’s Records in Hollywood during my youth, I came across ECM Records. Up until then, the only thing I had ever heard off of the label was Keith Jarrett’s The Köln Concert. As I was able to listen to promo versions of new releases, I came across Anouar Brahem, but forgot about him for over a decade. My friend, Max Franosch, whose photographs grace a few classic ECM releases, reminded by of his work via a post several years ago, and I’ve been following his music intently ever since.