Considering this release, featuring guitarist David Torn and synthesizer player Drew Schlesinger, was made in 1978, I’m astounded as to how fresh it sounds. There are a few spots where the recording might be a touch thin (I’m playing this album on the speakers of a relatively new iMac), but overall, this is very solid, rather beautiful looping and synth programming. If you are a fan of Brian Eno’s and Robert Fripp’s collaborations, or are simply curious about Torn’s early works, this album is a must. It is also a fine introduction to Schlesinger, whom I knew nothing about before being pointed to this release.
Because there is so much incredible music coming out all the time, documenting it is becoming a bit of a nightmare. Thankfully, I’m subscribed to enough Facebook music groups to keep me abreast as to what new sounds are popping up.
One of the best new artists I’ve come across is a Chilean composer called Santiago Fradejas. He works comfortably in the fields of electroacoustic music, post-industrial soundscapes, drone, improv and contemporary classical. This particular album really highlights the wide range of genres he’s able to tackle.
Santiago’s work is worth seeking out. It’s my hope that he gets signed to a label who can properly promote him, and soon.