The Blog That Celebrates Itself continues to release the finest covers compilations in a shoegaze style. This time, the band getting the royal treatment is R.E.M., who haven’t sounded this good since about 1990.
[Music] Oak – Not Afraid Anymore
I came across these guys thanks to a fine poster over at Reddit. Very solid post-rock out of France, not too derivative of other bands like Immanu El and the like.
[Music] Various Artists: The Blog That Celebrates Itself: Girl Groups – The Underground Versions
The Blog That Celebrates Itself (TBTCI) has become one of my go-to labels for great covers of indie and post-punk music done in a style not unlike shoegaze music. This one is a gem because the theme is girl groups, and each of these Brazilian unknowns does a stand-up job reworking the originals into something quite modern-sounding,
[Music] ±0 – ±0
±0 (pronounced as plus-minus-nula) are a post-punk band out of Prague, Czech Republic. This eponymous debut was released in March of 2017. If you are a fan of this particular genre of music, especially of the sounds made by The Cure, Joy Division, The Sound or others during the 1979-1980 heyday of the genre, this album was made specifically for you in mind.
Kudos go especially to their sound engineer, who must have really studied post-punk. He managed to get the sound just right for the band. Authentic, and worth exploring further!
[Music] Blankenberge – Radiogaze (LP 2017)
Today’s pleasant surprise is Blankenberge, a dreampop/shoegaze band out of Russia. Not quite My Bloody Valentine at their peak, but pretty decent nonetheless.
[Music] Silver Rose – Silver Rose
I know of quite a few artists in Brazil who are doing stupendous work in the genre of Shoegaze music, but this release by Silver Rose, a Mexican band, equals or surpasses these, having a lot in common with their fellow British and American co-practicioners of this sonic art.
Those of you who like Dream Pop will find a lot to enjoy with this release as well, as, for those of us over the age of 40, we’ll remember swaying to Hope Sandoval’s lush vocals. For a moment, this album transported me back to those days. A keeper.
