[Music] MARIANNE FAITHFUL’S DECCA YEARS. — dereksmusicblog

Marianne Faithful’s Decca Years. By March 1964, it was apparent that pop music wasn’t just a passing fad. The Beatles were a global phenomenon, and the British Invasion of the American charts had just begun. Britain was a musical powerhouse, that the world envied. Despite this, many labels weren’t resting on their laurels. Record companies […]

via MARIANNE FAITHFUL’S DECCA YEARS. — dereksmusicblog

[Music/Podcast] Neurotica (featuring Jeffrey Kinart and Adrian Belew)

I couldn’t be happier to promote this upcoming show! My old friend and colleague Jeffrey Kinart is pairing with the legendary Adrian Belew on a new podcast called (what else?) Neurotica.

Check out the bumper on the Spotify link to get a taste as to what’s headed your way. It will expand to other services shortly, so if you have any suggestions as to where they should go, send the suggestions my way, and I’ll forward it to them.

[Music] NO CONDITION IS PERMANENT [Episode #189 ~ 04-13-19] — No Condition Is Permanent

My brother was Andre’s booking agent for many years, and they had lots of fun times together. May he rest in peace. And, definitely, kudos to No Condition Is Permanent, because their podcast is a killer.

Pictured: Andre “Mr. Rhythm” Williams, R.I.P.. Returning after more than a month’s work related absence, Reeshard & Lee-Roy resumed business within the DJ booth at the Purple Bat Lounge last Saturday evening. Those who can recall the night in question — but who speaks to those people? — say it was like the pair had […]

via NO CONDITION IS PERMANENT [Episode #189 ~ 04-13-19] — No Condition Is Permanent

[Music] “A-cute-cute in a stupid-ass way”

The last paragraph shows how devolved society has become if you can’t play a wonderful song by one of the most intriguing artists of his generation. So be it. Still, much respect to Ben Zimmer for the read of the day – commenting on the rendering of “stupid-ass,” which seems so non-offensive now, but which must have caused headaches for the censors back in the day.

Strong Language

With the passing of Scott Walker, who found pop-music fame as a member of the Walker Brothers before setting out on an inimitable solo career, the singer’s best-known work has been making the rounds online. One particularly memorable song from Walker was his first solo single, “Jackie,” released in December 1967. “Jackie” was an English-language rendering of Jacque Brel’s “La chanson de Jacky,” translated from French by Mort Shuman (a Brill Building songwriter who would go on to co-create the musical revue Jacques Brel is Alive and Well and Living in Paris). Both the French and English lyrics were quite racy for the time. The English chorus, as unforgettably delivered by Walker, goes:

If I could be for only an hour
If I could be for an hour every day
If I could be for just one little hour
A-cute-cute in a stupid-ass way

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[Music] BIG STAR-PIONEERS OF POWER POP. — dereksmusicblog

A big thank you to Derek’s Music Blog for highlighting one of America’s finest power pop bands, Big Star:

Big Star-Pioneers Of Power Pop. Sadly, in music, talent doesn’t guarantee commercial success. If it did, Big Star would’ve been one of the biggest bands in musical history. Alas, that wasn’t the case. Lady luck failed to smile on Big Star when they released a trio of albums between 1972 and 1978. Despite this, Big Star […]

via BIG STAR-PIONEERS OF POWER POP. — dereksmusicblog