My friend Henning Küpper is the impresario of Lollipope Shoppe, perhaps the first indie label whose work introduced me to everything from psychedelic music and weird Russian rock. For this, I owe Henning a massive debt.
Continuing his amazing curative abilities, he released an album New York-based psych-folk band Ocean. This mellow folky freakout was released in 1969, but the stereo tapes were lost thanks to their label, Apostolic Studios, went under. Thankfully, guitarist John Townley saved a mono recording, and after Lollipope Shoppe polishing, it is available again after 51 years.
A late night of doing paperwork for an upcoming trip to Hungary and move to Czechia brought me to this absolute gem of a folk-prog album. Yoshiko Sai released a few albums in the mid-1970s which were not well-received at the time, but listeners’ tastes have finally caught up with her mellow, trippy, slightly psychedelic songs.
Kikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free music collective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo call their sound psychedelic because it encompasses a broad spectrum of influence. Their music incorporates elements of classical Indian music, Krautrock, […]
It’s impressive when you are so good that Dave Davies of The Kinks gives you his stamp of approval. Pete Kosanovich gets compared to the aforementioned Kinks, Bob Dylan and other luminaries frequently, and the comparison is apt. He only lacks a good publicist who can spread the word of his talent, which would sound perfectly in place in a collection of 60’s records. The man’s vocals and guitar playing sound like he traveled time to shame today’s crappy ‘rock’ garbage.
When I see music tagged with the term ‘neofolk‘, I expect to hear something like Death In June, The Moon Lay Hidden Beneath A Cloud or Current 93, not this. I’m not entirely sure where jì lú hail from in China, but the label who released this disc, Raflum, hail from Sichuan, home of some seriously good food. If you remember the Japanese psychedelic band Ghost, fronted by guitarist Masaki Batoh, this might be a corollary. It’s exceptionally psychedelic, and has the feel of the Incredible String Band on even more acid, feeling more placid. This is gorgeous.
I have to admit that I’m a bit jealous that I haven’t heard anything this good in Beijing yet.
Aloha Got Soul’s latest release is a reissue of a rare psychedelic Christian folk record by a Hawaiian project called ʻĀina, which, according to their Bandcamp album site, “means land or earth in ʻŌlelo Hawaiʻi, the Hawaiian language.”
It’s definitely a product of the 1970s, full of hippy vibes, a naïve sense of idealism, and themes which would be recognizable to people who go to Pentecostal Churches. There was nothing bad about this release at all. It was a smooth, mellow and enjoyable listen.