Perhaps too diverse for their own good, Controlled Bleeding were very comfortable working in everything from harsh noise to nearly danceable beat music which fit in well with the Wax Trax! Records crowd.

This track, however, is the one which left the longest impression for me. It reminds me more of a Gothic take on progressive rock, and it’s a vein I wish the band would have tapped more, because it really caught them at their best.

I’m absolutely thrilled to know that Paul Lemos has soldiered on, but it’s quite a bitter loss knowing that Joe Papa and Chris Moriarty have moved on to their great reward.