[Music] NERATERRÆ – The Substance of Perception

Alessio Antoni is a friend of the blog, having made a previous appearance with his disc The NHART Demo​[​n​]​s in March of 2018.  His latest release surpasses even that dark masterpiece of a debut, partly because he continues to explore the depths of sound, and partly because he was a few guests adding a few jewels to his crown.  Read on those guests who are participating in this recording.  They are the best of modern dark ambient music.  Alessio deserves to be held in the same esteem.  We look forward to see what he has next for us.

From his Bandcamp site:

NERATERRÆ’s debut album “The Substance of Perception” (out on Cyclic Law records) is a daring collaborative work featuring some of the finest artists from the Dark Ambient, Drone, Cinematic and Ritual Music scene: Northaunt, Alexey Tegin from Phurpa, Treha Sektori, New Risen Throne, Flowers For Bodysnatchers, Taphephobia, Ugasanie, Xerxes The Dark and Infinexhuma.

The sound palette shifts between both stark atmospheres, melancholic ambiance and dense claustrophobic drones. Alternating between obscurity and light and oscillating between the ineffable detachment from the tangible and the relentless transmogrification of the self.

[Music] Surrogate sigma – Topologie Algébrique

Fifty cents isn’t a bad investment for well over 400 releases on the Genetic Trance label out of Ohio.  One of the releases caught my ear – this one by Surrogate Sigma.  Unsurprisingly, there is no information on the band that I can find, save that they are from Ukraine and operate under a ridiculous amount of aliases.  Still, this particular release reminded me of the works of old composers who were active during the 1980’s cassette culture days.

[Music] The Rosenshoul – Low Winter Sun (Deluxe Edition)

The Rosenshoul are a side project of the folks behind Flowers For Bodysnatchers (namely Duncan Ritchie).  If you thought FFB were bleak, this goes a bit deeper into the bowels of Hades.

What is particularly remarkable is the fact that time stands still for a good portion of this album.  One can feel like they fell into a bottomless pit and know that there is no place you’re going to crash at.  You simply fall and fall into the music, and the coldness and terror emanating from the album never seems to cease.

This is dark ambient music that would have been stellar listening during the 1990’s.  It’s incredibly well-done.