Kalamine Records is an experimental music label out of Bordeaux, France. They have a very impressive roster of composers and groups who have a amazing command of studio techniques, making filmic, creepy compositions. This is essential headphone listening.
What is particularly remarkable is the fact that time stands still for a good portion of this album. One can feel like they fell into a bottomless pit and know that there is no place you’re going to crash at. You simply fall and fall into the music, and the coldness and terror emanating from the album never seems to cease.
This is dark ambient music that would have been stellar listening during the 1990’s. It’s incredibly well-done.
His project is infamous for its sheer extremity and unapologetic harshness, but the din’s more nuanced than meets the ear.
It’s a bit perplexing to think that Bryn Jones (a.k.a. Muslimgauze) has been dead for 20 years, and yet continues to ‘release’ music. He must have been far more prolific than anyone could ever have imagined. Thankfully, the quality of a good deal of this archival music has been excellent. Not everything holds up, but this release gives the fans of the man what they want – experimental beats with a techno sensibility, made for dancing with heavy boots, I suppose.
JOHN 3:16 are the braintrust of Philippe Gerber, whose dark, post-Industrial Music soundscapes are among a handful of releases I can comfortably read Holy Writ and Apologetics to. There is something, dare I say, holy, about the quality of his work. The label he runs, Alrealon Musique, are consistently putting out heavy material. My friend here is worth a follow on all projects.
Raffaele Pezzella strikes gold yet again with this compilation of experimental musicians from all over the Maghreb and Sub-Saharan Africa. Most of these names are quite new to me, but all show the potential to provide scores of impressive releases as time passes.
This is a great snapshot into the field of avant-garde music from Africa.