A legend has departed. Ginger Baker passed away at age 80 today, October 6. He performed with some of rock’s (and fusion’s) greatest bands such as Cream, Blind Faith and even Public Image Ltd., while leading his own bands like Air Force (shown in the video) and collaborating with maestros like Nigeria’s Fela Kuti. RIP.
Sahel Sounds is at the vanguard of publishing modern music out of the Sahel and West Africa. There is so much gold waiting to be mined out there that I don’t think it will be possible to tire of this fine company.
In their generosity, they offer a compilation of 16 tracks for free (or you can pay what you like). It’s a great spread, representing the talent they’ve unleashed to the world since 2009. Christopher Kirkley, the label owner, should be commended for opening up this region’s incredible music to the world.
If Ginger Johnson is a source of inspiration to Afrobeat legend Tony Allen, you know this single is going to be good, and Ginger does not disappoint. This is raw proto-Afrobeat from around 1967, full of percussive power. From the Bandcamp site:
In 2015, Freestyle Records re-issued the groundbreaking ‘African Party’ album by the somewhat mysterious figure of Ginger (George Folunsho) Johnson. Recorded in 1967, nearly 20 years after he first arrived in post war London and immediately began performing and recording with London jazz stalwarts Ronnie Scott and Pete King.
Credited by those in the know (including Giles Peterson, Louie Vega, Fela Kuti’s drummer Tony Allen & writer David Toop) as the godfather of Afrobeat, Ginger and his group, The African Messengers enjoyed a varied career as the go to afro-cuban percussion group for recording sessions in the UK, working with Georgie Fame, Osibisa, Madeleine Bell and Quincy Jones – as well as acting us mentor to a young Fela Kuti and members of Cymande who cut their teeth as members of his ensemble. They also performed at The Royal Variety Performance, Ginger’s music featured in the James Bond film ‘Live & Let Die’ and Ginger himself appears on screen drumming in the Hammer Films cult classic ‘She’, and famously performed with The Rolling Stones in Hyde Park in 1969.
Aside from ‘African Party’, and several Hi Life singles released on the Melodisc label in the 50’s, it was thought that there were no further recordings by this hugely influential musician . Eventually, prompted by the attention afforded the Freestyle re-issues – Ginger’s son Dennis Dee Mac Johnson was contacted by was contacted by Uchenna Ikonne, a renowned African music collector, who told him he had discovered one rather battered original copy of a 45 single, released in the mid 70’s on the short lived ‘Afrodesia’ label,
For Record Store Day 2019, Freestyle are proud to release the 2 tracks on a fresh vinyl 45. ‘Witchdoctor’ is not the track of the same name on African Party, but it and ‘Nawa’ (written by Dizzy Gillespie cohort Chano Pozo) demonstrate a musical progression as funk had stamped it’s indelible footprint on Ginger’s music along with afro-cuban rhythms and jazz.
Thanks to Claudio Passavanti at Doctor Mix Studios in London, who has done quite an amazing restoration and re-mastering job on this long lost music.
Watch ‘The Story Of Ginger Johnson’ mini documentary by clicking HERE!
A lot of press covering Nigerian music rightfully goes to Fela Kuti, yet he’s not the only innovative figure to gain international fame. His percussionist, Tony Allen, has spent a good part of five decades making music which was influenced by funk and jazz as well as Highlife. The Afrobeat sound he was instrumental in creating continues to inspire musicians like Brian Eno and Blur’s Damon Albarn.
Quite a monster of an album by Nigeria’s finest, Fela Kuti. The track listing for this album is:
01 “Alu Jon Jonki” – 12:41
02 “Jeun Ko Ku (Chop ‘n Quench)” – 7:14
03 “Eko Ile” – 6:41
04 “Je’nwi Temi (Don’t Gag Me)” – 13:15