[Music] Rainbow Chan – Long Vacation

Rainbow Chan released what has to be one of the most freakishly charming releases I’ve heard in a while.  Think of someone as innovative as Björk, but far more experimental.  From her Bandcamp website:

Rainbow’s latest EP Long Vacation singlehandedly places her among the most innovative composers and musicians on the scene right now. More Dirty Projectors than J-Pop, Chan isn’t afraid to mix textures and sounds that lie far outside mainstream familiarity—weirdly warped bells, floating, dissonant flutes and her own voice mixed and mashed into its own mosaic of shattered parts.

Pigeons and Planes

 

[Music] JOHN 3​:​16 – JOHN 3​:​16 / Visions Of The Hereafter

JOHN 3:16 are among the most powerful bands in dark ambient and drone music today.  Philippe Gerber continues to amaze with his catalog, but this release is particularly special, as I never had the chance to delve into their early catalog.

This release combines the first two albums by the band onto one cassette.  Both releases remind me not just of dark ambient music, but of the middle period post-Industrial and experimental music I grew up with.

Favorable is not a strong enough word to rank this release.  It’s quite powerful.

[Music] Ric Ocasek found dead today — PowerPop… An Eclectic Collection of Pop Culture

Sad news from New York tonight. Ric Ocasek was found dead in his Manhattan apartment on Sunday, law enforcement confirmed. Some reports say he was 75 and some say he was 70. Ric wrote some of the best pop hits of the late seventies and eighties for the Cars. The Cars were a big part […]

via Ric Ocasek found dead today — PowerPop… An Eclectic Collection of Pop Culture

[Music] Stéphane Clor & HJ Ayala – Motoco

Listening to what I would assume is microtonal guitar work (if my friends would be so kind as to correct me, I would be much obliged) proved to be a very rewarding expeience.  HJ Ayala, a friend of this blog, collaborates with cellist Stéphane Clor in this release clocking in at just under 40 minutes.  This is a quiet release, but the interplay between guitar and cello seems to intricate that it managed to hold my attention throughout.  I’m already a fan of Ayala’s guitar playing, so I’m not surprised he continues to release improvisational music of such great quality, but it’s nice to see him collaborate with Clor, whose work I had never heard until today.  A recommended disc.