A few days ago, I had the honor of interviewing Italian pianist Alessandra Celletti, one of the most creative composers active today.  I came to know her work thanks to an old business partner named Michael Sheppard, who became her champion until his passing a few years ago.

Without further ado, here is Alessandra:

---

 

Though I know you from our conversations, can you tell us about yourself? Who you are, your background?

I’m a musician, and naturally I love music. But, first of all, I love life. I love nature, the sea, the trees and the flowers, I love all people and animals as well. I like to come upon new things. The relevance of music is that it gives meaning and emotion to everything. I’ve been playing the piano since I was six. The piano is my life, but I also adore singing. Singing is happiness. I have a classical education, but I am too curious not to look for other musical experiences, so I’m always looking for something new.

What inspired you to be a composer and pianist?

I’ve always played the piano. I started my career as a pianist playing classical authors: Mozart, Bach, Chopin, Brahms, Ravel… but at some point I felt the desire to transfer my personal emotions into music by composing myself. It felt like a natural passage.

Which composers or art movements have left a lasting influence in your compositions?
Erik Satie is my first love and I think of him as one of my milestones. I was swept away by the purity and freedom of his search. Then, I appreciate the intelligence and lightness of John Cage. But I am also into punk music, electronics, rock and, sometimes, even pop music. I love painting and the commixture of colors. For me, music is also color. Not for nothing my last album is a blue vinyl titled #cellettiblue, inspired by my favorite color. Blue, for me, is the color of freedom. Just look at the sky and you’ll understand.

How do you go about planning for and making a new album?

I had several producers for my previous albums: here in Italy, in England but also in America. I was lucky enough to have Michael Sheppard of Transparency as a producer. It was a very special human and artistic relationship and I miss him so much. Before he died, he told me that he would be in every note I played and sung… and, indeed, I can feel his presence. I want to make you party to a secret: I always think of Michael when I compose a new melody. Right now I don’t have a record label that produces me, so for my new project I resorted to Musicraiser’s crowdfunding. I really like this personal contact with my audience

What inspired this latest album?

To put it simply, my love for animals. I’m working on six songs dedicated to the animals that had a special role in my life, tangible or symbolic. Among these is Pedro, a cat to whom I am connected in a magical way. And a donkey that I fantasize becoming my husband… And, last but not least, my mother, who I consider the sweetest and most wonderful of all the animals that filled my life. It is, obviously, an affectionate dedication to the person who gave me life and who flew away just a few months ago.

Are you collaborating with anyone else these days in terms of live performance or studio collaborations?

Yes: a while ago I’ve discovered Paola Luciani and I’ve literally been bewitched by her animations. Luckily for me, this internationally recognized artist hasn’t lost the purity of her artistic expression, so I proposed a collaboration, to which she graciously agreed.
Now she’s drawing and animating her paper clippings according to an age-old and very peculiar technique. Ath the moment she is working on the donkey song and she will soon finalize the animations for the little cat Pedro (or maybe for a little bird)…

How do you feel about the state of the music business?

It seems so difficult for artists to get exposure outside of working with a major label.

How do you manage to do so well?

I simply dedicate myself to what I do with commitment and love, thinking of people with affection and trust. And – this will probably surprise you – I’m even confident in the future of music. Modes and media change all the time: vinyl, cd, streaming… but, basically, nobody can live without music.

What projects are you working on? What should be expected to see from you in 2020?

As I said, I am working with Paola Luciani on the “Love Animals” project and I very much hope to be able to make it with Musicraiser’s help. Then, I’d like to do a lorryload of concerts and play my piano and sing these sweet songs to everyone. Even if they are dedicated to animals, they are all love songs.

https://musicraiser.com/it/projects/15090-love-animals