[Music] Meng Qi – Span 跨度


Meng Qi is a Chinese experimental music composer based out of my current place of residence, Beijing.  His music is unlike most of the genre, where one would expect to hear an avalanche of nearly pointless noise.  There is a beauty to his compositions that I don’t find much in a lot of modern releases that purport to be ‘experimental’.  He’s definitely an intriguing character.

[Music] Dorninger – Slide To Glide


Wolfgang “Fadi” Dorninger is something of a legend in my circle.  When I was a teenager, I came across his work thanks to a very active cassette culture which was happening in Los Angeles, and was blown away by his project at the time, Monochrome Bleu.

He is still releasing rather amazing, tranquil ambient work, and it’s good to see a familiar name come up on my radar again.  Give his work a good, deep listen on headphones. It’s good music to let your brain swim to.

[Music] Lousberg – The Death Of Humanity


The record cover of this new EP by Lousberg, The Death of Humanity, gives it the aura of either a black metal band or a black ambient band circa 1990s-era Cold Meat Industry.  It is neither of these.  In fact, it’s a swelling, sumptuous piece of neoclassical music which would work as a soundtrack to many a movie.  I quite like this!

Check out more releases like this one at Dunkelheit Produktionen out of Germany.  They seem to be releasing a lot of quality material.

[Music] BIG STAR-PIONEERS OF POWER POP. — dereksmusicblog

A big thank you to Derek’s Music Blog for highlighting one of America’s finest power pop bands, Big Star:

Big Star-Pioneers Of Power Pop. Sadly, in music, talent doesn’t guarantee commercial success. If it did, Big Star would’ve been one of the biggest bands in musical history. Alas, that wasn’t the case. Lady luck failed to smile on Big Star when they released a trio of albums between 1972 and 1978. Despite this, Big Star […]

via BIG STAR-PIONEERS OF POWER POP. — dereksmusicblog

[Music] Steve Roach – Structures From Silence


If I recall correctly, it was Audion Magazine’s review section, a wealth of information for a person who had little access to either electronic music, New Age, or what would eventually be called ambient music, which introduced me to the work of Steve Roach.

In fact, this was the first Roach album I had the pleasure of buying. 30 years later, it still sounds fresh, and Steve is still releasing amazing material, and special thanks is due to Projekt Records for keeping his work in print.