[Podcast] Luscombe’s Choice – 25th February 2015

https://www.mixcloud.com/widget/iframe/?embed_type=widget_standard&embed_uuid=2d868061-7dff-419f-9aed-147769eee67a&feed=https%3A%2F%2Fwww.mixcloud.com%2FResonance%2Fluscombes-choice-25th-february-2015%2F&hide_cover=1&replace=0

Luscombe’s Choice – 25th February 2015 by Resonance Fm on Mixcloud

Before today, I had no idea who Will Luscombe was. I’m certainly impressed with his choices in jazz!

Resonance FM is quite a site for amazing podcasts.

[Video] Verneri Pohjola – Live at Porin Teatteri – Pori Jazz Festival 2012

https://www.youtube.com/watch?v=kmO6Yk7nqoY

I had posted a video by legendary Finnish jazz-prog bassist Pekka Pohjola recently. While doing my usual stumble across social media, I came across another Pohjola, this one being Verneri. As it turns out, Verneri is the son of the late bassist, and is a fine trumpet player in his own right. Look for big things out of this man in the future.

Look for his latest release, Bullhorn, over at his Bandcamp site.

[Article] A Striking Exception

The Wall Street Journal do justice to the legacy of Manfred Eicher and perhaps the most amazing and success label you may never have heard of, ECM. From Stuart Isacoff’s article, a quote which sums up my personal opinion of him quite nicely:

“But the most striking exception at the Grammys belongs to ECM (Editions of Contemporary Music), nominated this time around for works by the little-known Polish-Russian composer Mieczyslaw Weinberg performed under the direction of Gidon Kremer. If anyone deserves an award for lifetime achievement, it is ECM’s founder, Manfred Eicher, a producer of over 1,600 albums—many of which have changed the course of recorded art

Here’s to Manfred and the crew at ECM, hoping they make another 1,600 wonderful albums.

[Video] Anouar Brahem – January

While working as a buyer at Aron’s Records in Hollywood during my youth, I came across ECM Records. Up until then, the only thing I had ever heard off of the label was Keith Jarrett’s The Köln Concert. As I was able to listen to promo versions of new releases, I came across Anouar Brahem, but forgot about him for over a decade. My friend, Max Franosch, whose photographs grace a few classic ECM releases, reminded by of his work via a post several years ago, and I’ve been following his music intently ever since.