Luscombe’s Choice – 25th February 2015 by Resonance Fm on Mixcloud
Before today, I had no idea who Will Luscombe was. I’m certainly impressed with his choices in jazz!
Resonance FM is quite a site for amazing podcasts.
Luscombe’s Choice – 25th February 2015 by Resonance Fm on Mixcloud
Before today, I had no idea who Will Luscombe was. I’m certainly impressed with his choices in jazz!
Resonance FM is quite a site for amazing podcasts.
https://www.youtube.com/watch?v=kmO6Yk7nqoY
I had posted a video by legendary Finnish jazz-prog bassist Pekka Pohjola recently. While doing my usual stumble across social media, I came across another Pohjola, this one being Verneri. As it turns out, Verneri is the son of the late bassist, and is a fine trumpet player in his own right. Look for big things out of this man in the future.
Look for his latest release, Bullhorn, over at his Bandcamp site.
Sergey Kuryokhin was, by far, the most influential and most widely recognized avant-garde musician to come out of Russia in the 1980s. Both alone and with the Ensemble Pop-Mekhanika, he made music which was extreme even to American tastes. Here is an absurdist sample of his work.
https://www.youtube.com/watch?v=eFHm395dlCA
Peak Sun Ra for you this evening.
Long before Iceland gave the world Björk, they brought us Ellý Vilhjálmsdóttir. This haunting, wordless ditty was a massive hit for her in 1966.

The Wall Street Journal do justice to the legacy of Manfred Eicher and perhaps the most amazing and success label you may never have heard of, ECM. From Stuart Isacoff’s article, a quote which sums up my personal opinion of him quite nicely:
“But the most striking exception at the Grammys belongs to ECM (Editions of Contemporary Music), nominated this time around for works by the little-known Polish-Russian composer Mieczyslaw Weinberg performed under the direction of Gidon Kremer. If anyone deserves an award for lifetime achievement, it is ECM’s founder, Manfred Eicher, a producer of over 1,600 albums—many of which have changed the course of recorded art
Here’s to Manfred and the crew at ECM, hoping they make another 1,600 wonderful albums.
From progressive rock to atmospheric prog-metal to minimal techno, Finns place a creative spin on everything. Thanks to the Dallape30 channel on Youtube, I get to sample everything from big-band to tango from Finland during the 30s and 40s. Here is Tuure Ara (in Finnish, sorry) and the Dallapé-Orkesteri from a track done in 1942.
Incredible. One master pianist giving a hat-tip to another, as Pharoah Sanders tips his cap to fellow jazz piano demigod McCoy Tyner.
I’m very hesitant to call the music of George Avramidis jazz. It’s ‘jazz’ in the way that The Durutti Column is. It is, yet, not quite. There’s a dark vibe hiding underneath, which belongs to a class of musicians who I feel would include The Necks, among others. Really worthwhile listening here.
You can purchase George’s new album here, courtesy of Amazon.com.
While working as a buyer at Aron’s Records in Hollywood during my youth, I came across ECM Records. Up until then, the only thing I had ever heard off of the label was Keith Jarrett’s The Köln Concert. As I was able to listen to promo versions of new releases, I came across Anouar Brahem, but forgot about him for over a decade. My friend, Max Franosch, whose photographs grace a few classic ECM releases, reminded by of his work via a post several years ago, and I’ve been following his music intently ever since.
Zonards des grands Z'espaces
სელექტორის ბლოგი
Cultura, tecnologías de la comunicación e Ideología Moderna.
My Projects and Collaborations
the home of psychedelic sounds and more....
These are the things I do.
Illuminating the Post-Industrial Underground
© P. Robinson 2004-2025
Iberian record label since 2012.
the greatest songs of the 1960's that no one has ever heard
A Tudo o que tiver que vier.
the aim of art is to represent not the outward appearance of things, but their inward significance
Discovering the wonderful world of classic actresses and their beauty...
Creative bands of extreme quality and competence
Writing Lostness