[Music] Elina Duni: Partir (ECM 2587) — Between Sound and Space: ECM Records and Beyond

Elina Duni Partir Elina Duni voice, piano, guitar, percussion Recorded July 2017, Studios La Buissonne, Pernes-les-Fontaines Engineers: Gérard de Haro and Nicolas Baillard (mastering) Produced by Manfred Eicher Release date: April 27, 2018 We are all departing, bound to be torn away, one day or another, from what we love. Here are scenes of departure sung […]

via Elina Duni: Partir (ECM 2587) — Between Sound and Space: ECM Records and Beyond

[Music] Selen Gülün – Many Faces

I’ve had the pleasure of following Selen Gülün’s work for about five years now, and her albums keep getting more and more interesting.  Many Faces sounds like a work straddling the line between music, theater and painting.  The sounds are delicate, graceful, but never sappy.  The vocals are crisp and sharp, with no feeling of wasted motion.  It’s a beautiful album.

I only have one gripe – I would love to see all of her back catalog become available digitally, at least, through Bandcamp and, if possible, to see these all come out on vinyl.  It’s a selfish wish, of course, because I find her music is suited best to the audiophile world, but one can dream.

[Music] Art Ensemble of Chicago and The Necks to Perform in Melbourne — Avant Music News

Source: Broadwayworld. Supersense is thrilled to announce a once in a lifetime line-up bringing together two legendary ensembles of contemporary music, jazz and improvisation: ground breaking pioneers of American free jazz the Art Ensemble of Chicago and transcendent, internationally revered Australian trio The Necks. In a never-to-be repeated double bill at Hamer Hall on Sunday […]

via Art Ensemble of Chicago and The Necks to Perform in Melbourne — Avant Music News

[Music] Wadada Leo Smith – Spiritual Dimensions

A proper two-album set by Wadada Leo Smith, this double disc comes complete with two different, yet somehow well-meshed bands.  To see what I mean, take a look at each lineup:

Disc One:

Wadada Leo Smith – trumpet
Vijay Iyer – piano, synthesizer
John Lindberg – bass
Pheeroan AkLaff – drums
Don Moye – drums

Disc Two:

Wadada Leo Smith – trumpet
Nels Cline – guitar
Michael Gregory – guitar
Brandon Ross – guitar
Lamar Smith – guitar
Okkyung Lee – cello
John Lindberg – double bass
Skuli Sverrisson – electric bass
Pheeroan AkLaff – drums

These lineups are the cream of the crop of the improvisational music scene.  The music is as enjoyably quirky and free as you would expect from a collaboration as grand as this.

[Music] ZEAL ONYIA-TRUMPET KING ZEAL ONYIA RETURNS.  — dereksmusicblog

Zeal Onyia-Trumpet King Zeal Onyia Returns. Label: BBE Music. It was none other than Louis Armstrong who upon hearing Zeal Onyia for the first time described him as: “the highlife hep cat of Nigerian jazz trumpet’. Like so many others before him, Louis Armstrong was captivated by the combination of Zeal Onyia’s unique tone, rhythm […]

via ZEAL ONYIA-TRUMPET KING ZEAL ONYIA RETURNS.  — dereksmusicblog

[Music] The Ed Palermo Big Band – Eddy Loves Frank


 
Judging by the quality of the music and the fact that this is Ed Palermo’s third full-length album dedicated to Frank Zappa’s avant-big-band interpretations, I think that the album title is apropos.  Eddy does indeed loves Frank!  From his Bandcamp site:

Ed and his amazing 16 piece band (+ guests) return with his third album of his distinctive, big-band interpretations of the great 20th century composer, Frank Zappa. This body of work has won them huge acclaim from both new and old fans of the music and they even appeared on NPR’s Weekend Edition for a short feature which was heard by millions of listeners in 2006. For those not already familiar with Ed’s colorful, jazz-based arrangements of Zappa’s compositions, Ed has led a big band for 30 years (!) and has had his band performing the music of Frank Zappa for 15 years. Many years of playing these pieces in front of hugely enthusiastic crowds have honed the band’s skills interpreting Zappa’s beautiful but notoriously difficult material to where they are able to perform these challenging charts with apparent ease. All of these musicians are high caliber, hugely talented NYC professional players, and most of them have been playing this music for a decade and a half with this group, not because it is a good paying gig (it isn’t) but because they all admire and appreciate the genius of Zappa’s work and they love having the opportunity to be able to perform these terrifically exciting charts.

“Wonderful, breathtaking, fantastic, exhilarating, great sound, great production, great musicianship…I run out of superlatives…”
– paradoxone.uk

“Palermo developed these charts during years of live shows with these musicians, and their mastery of the material shows in the performances, which turn on a dime yet feel fierce with spontaneous invention…. Palermo’s arrangements and these performances are precise, dedicated, raucous and incisive—just like Zappa himself.”
– JazzTimes

“Palermo uses Zappa’s compositions as a framework for inspiration, rather than simply trying to recreate what is already available on CD.”
– allaboutjazz.com