This release came out of nowhere for me. Well, that’s not entirely true, because Takuya Kuroda‘s name was dropped on the recent edition of Bandcamp Weekly, and I was impressed enough by his Miles-like fusion pulses melded tastefully with hip-hop of fine quality, a mix that seems to be pleasant to my ears these days.
Kuroda‘s based out of New York, and his playing is fresh, innovative, occasionally weird, and serves as a great foil for his collaborators to underpin.
Our friend Hector Javier (H.J.) Ayala hasn’t appeared on the blog for a while, but we rectify this issue today. He continues to create improvisational gems, with a nod to artists like Derek Bailey informing this release.
Duke Ellington, Charlie Mingus, Max Roach-Money Jungle. Label: Blue Note Records. On Monday, September the ‘17th’ 1962, bassist Charles Mingus and drummer Max Roach made their way to Sound Makers Studio, in New York. The two friends were en route to a session where they would record an album with one of the giants of […]
via DUKE ELLINGTON, CHARLIE MINGUS, MAX ROACH-MONEY JUNGLE. — dereksmusicblog
Surely we could use a few prayers these days, considering the damage being wrought by the Corona Virus (and by idiotic local bureaucrats hell-bent on caging populations like monkeys in a zoo).
The Rahsaan Roland Kirk Quintet included Ron Burton on piano, Henry Pearson on bass, Richie Goldberg on drums and Joe Texidor on percussion in this video.
Soul is alive and well, and Delvon Lamarr’s Hammond organ grooves beautifully in this set over at KEXP.
Compost Records released an album by Web Web a few days ago which hit a sweet spot for me. The album is a magical combination of free improv (without the racket), kosmische musik, soul and fusion, laced with elements of trip-hop, hip-hop, and any other -hop which comes to mind.
Joy Denalane’s voice is sumptuous. She is at ease telling a soulful story as she is using her voice as a improvisational instrument. Roberto Di Gioia, Tony Lakato and Stefan Pintey add a lush background for the three to play in.
This album will be my go-to disc for 3 a.m. listening for the foreseeable future. It is that good.
Considering this release, featuring guitarist David Torn and synthesizer player Drew Schlesinger, was made in 1978, I’m astounded as to how fresh it sounds. There are a few spots where the recording might be a touch thin (I’m playing this album on the speakers of a relatively new iMac), but overall, this is very solid, rather beautiful looping and synth programming. If you are a fan of Brian Eno’s and Robert Fripp’s collaborations, or are simply curious about Torn’s early works, this album is a must. It is also a fine introduction to Schlesinger, whom I knew nothing about before being pointed to this release.
Source: The Guardian. Fifty years on, it still does. Next month will mark the 50th anniversary of Bitches Brew, a pivotal album that altered the trajectory of jazz, messed with the boundaries of funk, and pushed psychedelic rock to new heights of exploration. A double set released in March 1970, Bitches greatly advanced a pattern […]
via Bitches Brew Revisited on its 50th Anniversary — Avant Music News
Source: Treblezine. Naked City is free jazz, at least some of the time. Free jazz didn’t just expand on the premise of jazz, it blew it to pieces, usually with the power of a lot of breath blown into a tiny reed. The free jazz Naked City is most indebted to is Albert Ayler, who […]
via John Zorn’s ‘Naked City’ Reviewed for 30 Year Anniversary — Avant Music News