[Music] Richard Pinhas & Merzbow – Rhizome

This release bridges the not-so-large gap between genres, connected by Heldon guitarist and loop master Richard Pinhas, and perhaps the most prolific post-Industrial composer of all time, Masami Akita (under his performance monicker Merzbow).

This is a live recording performed live during the Sonic Circuits Festival, September 24, 2010 at La Maison Française [The French Embassy] in Washington D.C.  The sound quality is superb, and as one would expect from two masters of their respective fields, their instruments of choice (guitar and loops for Pinhas, computer for Merzbow) ebb and flow into each other effortlessly.  This is a powerful release, and I hope it is the beginning of a long-term collaboration between both.

[Music] Selen Gülün – Many Faces

I’ve had the pleasure of following Selen Gülün’s work for about five years now, and her albums keep getting more and more interesting.  Many Faces sounds like a work straddling the line between music, theater and painting.  The sounds are delicate, graceful, but never sappy.  The vocals are crisp and sharp, with no feeling of wasted motion.  It’s a beautiful album.

I only have one gripe – I would love to see all of her back catalog become available digitally, at least, through Bandcamp and, if possible, to see these all come out on vinyl.  It’s a selfish wish, of course, because I find her music is suited best to the audiophile world, but one can dream.

[Music] Akira Sakata & Chikamorachi with Masahiko Satoh – Proton Pump

Avant-garde bebop seems to be the most fitting way to describe this release featuring saxophonist Akira Sakata & Chikamorachi (drummer Chris Corsano and bassist Darrin Grey) along with pianist Masahiko Satoh.  No less than Jim O’Rourke gushes over the the musicianship of this improvisers, but this isn’t a racket-filled noise blast.  The musicianship is astounding, free, and engaging, something a lot of improvisers can’t seem to make happen unless they’re truly something special.  It seems that Sakata has been making music since the 1960s, so I have a bit of exploring to do on his previous work.

[Music] matryoshka – Monotonous Purgatory

This has to be one of the most depressing pieces of music I’ve heard in a while, and it’s perfect for post turkey day, while most of us are high off of tryptophan. matryoshka (small ‘m’ done intentionally) are a Japanese post-rock band based out of Tokyo, and they make music that is painfully delicate. You can check out the album this track comes from on their Bandcamp site, hosted by Virgin Babylon Records.