Z Tapes always produces charming, simple surprises. This one comes in the form of Australian/Serbian troupe Lalić, whose album reminds me of what demos of early Railway Children, Movement-era New Order and maybe something a tape collection inside the Postcard Records post box might sound like. Worthy.
If I recall correctly, it was my brother, Ralph, who hipped me to Rothko years ago. Thanks to him, and to Ljubinko Zivkovic for the great article. Toneshift is always worth sharing.
Rothko | Refuge For Abandoned SoulsTrace Recordings (LP/CD/DL) It seems that 20 years ago, back in London, Mark Beazley, Crawford Blair and John Meade took the name Rothko for their three bass guitar band to resemble the paintings of the visual artist of the same name. Blair and Meade have been gone for a while […]
If you are a fan of the genre, this release will not leave you feeling disappointed at all. The guitar work is excellent, as it soars and dives effortlessly, and is supplemented with a fair amount of noise that doesn’t overwhelm the beauty of the tracks.
Benjamin Finney’s work has been reviewed on our blog in the past, as he’s really a fine guitarist, but it finally dawned on me whose work seems to influence and inform his playing. John Fahey. No doubt about it. He has the American primitive sound mastered so well that he’s able to mold it however he wishes. Fahey was utterly brilliant at that. Expect Benjamin to have that same legacy one of these days.
Z Tapes continues to put out wonderfully emotive indie music, whether it’s of the bedroom pop variety or something straight-up weird. They rarely, if ever, seem to fail with their releases. All credit should go to Filip Zemcik for his near-perfect curation abilities.
fuvk are a emo/indie-pop band out of Austin, Texas who please greatly with music that is pleasing to the ear, but not fluffy or boring. The tape recordings were a bit unsettling to hear, and they add a bit of spark to an already good EP’s worth of tuneage.
Even down to his personal look, Joel Sarakula has a 70’s vintage vibe. He offers two tracks of exceptionally good soul music that would not have sounded out of place 40 years ago, even with the much better studio recording equipment.