Muteant Sounds is a net label out of Florida who have reissued a minor treasure. This album pairs saxophonist Kenny Millions (born as Keshavan Maslak) and pianist Sergey Kuryokhin in what is a minor minimal masterpiece.
This is a two-track album, with the first track going into an eerie minor-key romp for twenty-five minutes, giving one the chills. The second track gets a touch more noisy, but maintains the aura of a film noir soundtrack.
Though Kuryokhin has been reposed for around 25 years now, his influence in the Russian improvisational scene still looms large, as does Millons‘.
Middlesex improv band Led Bib nearly defy categorization, except to say that they fit only inside the avant-progressive and improvisational genres, barely. This album covers a lot of ground in four tracks, mainly with a lot of skronk and racket that flows rather nicely. Cuneiform releases another masterpiece.
Raphael Weintraub-Browne is a friend of our blog, and it’s a pleasure to present you with his latest work. The project, Kamancello, is quite a bit different from the last album reviewed, as Weintraub-Browne has recorded a wholly improvised album with Shahriyar Jamshidi, a Iranian Kurd who plays the kamancheh. I will pay these two a very high compliment, as the closest record I can compare it to is with the work of Kayhan Kalhor while working with the New York-based ensemble Brooklyn Rider. It might even be a bit darker, a touch more Western-leaning, but cinematic in scope, and so wonderfully well-recorded.
Glorious listening, absolutely.
Our friend Hector Javier (H.J.) Ayala hasn’t appeared on the blog for a while, but we rectify this issue today. He continues to create improvisational gems, with a nod to artists like Derek Bailey informing this release.
Saxophonist and clarinetist Mikołaj Trzaska (link is in Polish, unfortunately) produces a very heavy, poetic album of noir-influenced jazz here.