One of the most indulgent rock songs ever. It is 17:05 minutes long and has a grand total of only 30 different words in this song. You might think it has a deep, mystical meaning, but it’s really a translation error. The title was supposed to be “In The Garden Of Eden.” Someone had written […]
Thanks kindly to Ralph Schaarschmidt for introducing me to Trigger Cut, a band that sounds like The Jesus Lizard, Die Haut, and a reformed Big Black slowing their sound a bit into something more manageable, yet equally powerful, as their speedy stuff. This has punch.
I have no idea about the artists on this mini-compilation except to say that Radio Martiko has a wonderful habit of digging up some incredibly cool cuts from both past and present times. This is a peach of a 7-inch.
Saigon Soul Revival has been on a quest to reawaken the raw, enchanting sounds of 1960’s and 70’s Vietnam; a time when passionate music resonated in Saigon’s streets and clubs with messages of love, heartache, hope and freedom. Amongst the turmoil of war, there was a rich cultural climate that fused popular genres of the day like rock, soul and bolero with Vietnamese music and lyrics. This fusion of sounds that bridged east and west became forbidden after the fall of Saigon in 1975 and almost vanished. Four decades later Saigon Soul Revival was born with the initial purpose of bringing these dormant sounds back to the stage. After numerous live performances over the last 3 years, the band has developed their own sound and now, with the release of their debut album “Họa Âm Xưa”, they are ready to share it with the rest of the world. The 11 track LP, including original compositions and nostalgic reinterpretations, blends traditional Vietnamese elements with modern concepts, featuring pre ‘75 and current artists, all while remaining firmly rooted in the “nhạc vàng” (golden music) of the time. Meaning “Old Harmonies”, Saigon Soul Revival is proud to present “Họa Âm Xưa” as a tribute to the artists and composers of the time that inspired them to create this marriage between past and present.
King Gizzard & The Lizard Wizard are an incredibly prolific band. Every now and then, they release a crap album like Infest The Rats’ Nest, which is bad metal as far as I’m concerned. Some of their fans like that. Fair enough. This album, however, shows them peaking as a band who can mix prog, psych, boogie rock and some pretty damn good, if weird, songwriting into a coherent bit of listening. I’m happy to have this one in my collection.
I don’t think The Bevis Frond will need much of an introduction to fans of psychedelic and garage rock music. Band leader and guitarist Nick Saloman released this debut in 1986 to vast acclaim. Quite a few releases are available so consider going to Nick’s Bandcamp page to peruse.
I don’t get much of a chance to review garage rock bands. I love the genre, but it’s not my forté. In this case, The Mobbers found me, and I have to say I’m glad for that. This is crunchy, loud, hard fast rock & roll, as you would expect from the genre. For fans of The Oblivions, The Makers, and Crypt Records aficionados.
This one sure as hell isn’t an ethnographic recording. It’s more along the lines of good, old-fashioned acid-psych. Start with the name of the band, for instance. Khana Bierbood translates as Strange Brew in Thai, and you can hear the heavy cosmic vibes throughout this record. What adds an extra notch to its cool factor is that it was produced by Go Kurosawa of Kikagaku Moyo, perhaps the best psychedelic folk band to come of Japan since Masaki Batoh’s Ghost. I wonder what other monsters Thailand is hiding musically?