[Music] Various Artists – Black Pearl Records: Bosporus Bridges Vol. 3

Black Pearl deserves high praise for releasing this retrospective series on some of the wildest funk, psychedelic, beat and jazz records to come out of Turkey. The names aren’t famous, but damn it, they should be.

From Black Pearl’s Bandcamp site:

A wide selection of rare Turkish funk, jazz, beat and psychedelic music from the 1970s.

This is the 3rd issue of the groundbreaking Bosporus Bridges compilation series, started in 2005 with Vol. 1 and continued in 2011 with Vol. 2.

Why did it take so long for the release of Vol. 3? Because deep digging, deep selecting and our wish to serve you Turkish pop music of the highest order, simply takes its time. And it is worth doing so. According to the aspiration of the Bosporus Bridges series you will get extraordinary music, opening your mind and remapping your knowledge of Turkish music.

As Turkish pop music is a hybrid of Western and Eastern elements, it’s not just funk, jazz, beat and psychedelic music but each time a specific Turkish approach to a hybrid pop music. This incorporates Turkish language, instruments, melodies etc., all mixed with electric instruments, drums and sound effects of Western pop music.

Exclusively on vinyl we feature 3 tracks, that will be not available digitally of Figen Han with “Pisi Pisi”, Dönüşüm with “Taek-Won-Do” and Burhan Tonguç with “Du-Bi-Ba”.

Enjoy deep Turkish funk by Seyyal Taner, Süheyl Denizci, Cengiz Coskuner and Erkut Taçkın, Turkish jazz by the Burhan Tonguç Ritm Grubu and Figen Han, Turkish beat by Lili Ivanova, Ajda Pekkan and Fatoş Balkır, Turkish psychedelic by Semra Sine, Serter Bağcan and Harout Pamboukjian, and Turkish-Asian rock by Dönüşüm & Halit Kakınç.

High-Quality LP vinyl pressing with restored and remastered audio material of the original records. Comes in a wonderful, authentic and special seventies old-fashioned cover.

[Music] Quantic & Nidia Góngora – Curao


This is one of the most difficult pieces of music I’ve ever had to classify, as well as being a gorgeous release.  Will “Quantic” Holland collaborates with Afro-Colombian chanteuse Nidia Góngora in an airy collection of danceable tunes and Colombian folk rhythms underpinned by Quantic’s typical fine production.

From Quantic’s Bandcamp page:

“They have combined to produce something magical” – THE GUARDIAN

The culmination of a creative partnership that has been sparking for the best part of a decade, ‘Curao’ is the full LP from world-renowned British producer Quantic and Colombian folklore singer Nidia Góngora. Out 12th May, the record brings a new and highly original interpretation of the unique, rich and mystical musical traditions of the Colombian Pacific Coast.

“Nidia has a very special story, and as a singer she embodies the spirit and ancestral treasures of her origin”, says Will “Quantic” Holland, of the singer who has lent her unique energy and talent to some of his most popular releases and live outfits. Considered one of the foremost artists of the typical marimba music of the South Pacific region, and a guardian of the oral tradition, Nidia Góngora fronts leading regional outfits including Grupo Canalon and plays a key role as a big sister and counsellor to younger groups. Now based in the city of Cali, Góngora was born into a musical family in the remote river village of Timbiquí, an Afro-Colombian community whose location and cultural contrasts provide endless inspiration.

Will “Quantic” Holland first became familiar with Góngora’s voice through the wall of his home in Cali, where he lived from 2007 for several years after visiting on a musical discovery mission and falling in love with the place. “My neighbour used to play a song from a Grupo Canalon CD on repeat”, he recalls. “From that moment, I realised how special Nidia’s voice was; then I got to know her compositions and lyrics, which are always incredibly beautiful.”

That magnetic voice and captivating songwriting combine with infectiously danceable beats and forward-thinking production on ‘Curao’, a collection of original tracks with the addition of two traditional pieces from the region’s rich songbook. Treating the stories and rhythms of Pacific music with utmost reverence, while forging a new and vital sound for today’s dancefloors, it reflects the distinctive yet diverse nature of the Pacific Coast itself – an area brimming with beauty and creativity but also shaded by conflict, affected by the work of mining companies, private militias and the drugs trade.

“You have to be very careful to keep a balance, so that this music will not lose its feeling and significance”, “but by performing songs from the indigenous and ancestral style, and recreating them through modern and dynamic sounds, I feel I can expose this musical proposition to a global space.” – Nidia Gongóra

[Music] Steve Jansen & Claudio Chianura – Kinoapparatom


It’s hard to believe this release was recorded 20 years ago, as it has a healthy freshness to the material.  Former drummer of the new wave band Japan Steve Jansen collaborates with keyboardist Claudio Chianura and is ably supported by guitarist Roberto Zorzi and synth player Piero Chianura.  The work is a collaboration where the quartet improvise to the Dziga Vertov film Man With A Movie Camera [German: Kinoapparatom], a classic of Soviet filmmaking.

In places, it sounds similar to Industrial noise; in others, like a more playful version of Rock-In-Opposition.  It’s a solid release, though I wonder if there is live footage of this performance available.

[Music] Chad Lawson – The Chopin Variations / Modern Interpretations on Chopin Works


I grew up in a house that appreciated the work of Frédéric Chopin.  My Mom was and is still a big fan of his compositions.  It came as a pleasant surprise to hear that a North Carolina pianist issued some arrangements of Chopin’s music which were recorded beautifully.

Pianist Chad Lawson is joined by Judy Kang on violin and Rubin Kodheli on cello.  They update Chopin’s work into a modern, minimalist landscape.