Good heavens, this is an absolutely schizophrenic piece of music. It ranges from a sumptuous minimalist to an edgy post-rock before sliding into something more appropriate in an electroacoustic work.
Valgeir Sigurðsson hails from Iceland. Why is this not surprising? Yet another composer/musician from there to watch out for. To hear the whole of Architecture of Loss, the album this track is on, go to Valgeir’s Bandcamp site.
André Boucourechliev was a French composer of Bulgarian origin. He studied under Luciano Berio and Bruno Maderna, and would later be influenced by avant-garde composers like John Cage.
He’s a new name for me. Many thanks to the Wellesz Theatre for continually showcasing the finest in contemporary classical music.
A personal story about Iraida Yusupova.
Many years ago, I had run a record label (Falçata-Galia) which had a few releases. I was, and am, proud of every single one, though the label disintegrated thanks to many misunderstandings which the artists never had a part of. Iraida was one of the artists I desperately wanted to publish, and as it seems I’m drifting back into the trajectory of music again, it looks like a grand opportunity to work with one of my favorite modern composers.
This is a new work by her. Choral bliss.
I have absolutely no information about the Belarus Modern Orchestra (music from Belarus is horribly represented online), but if this is a sample of what their body of work is like, I definitely want to enjoy more of it!
It’s always wonderful to discover a composer or artist you missed out on. Chou Wen-Chung is a Chinese American composer who studied under Edgard Varèse and Otto Leuning, and his work is truly affected by Chinese culture, rather than a weak blending of Chinese and Western music.
Many thanks to Naoyoshi Kitamura, who originally posted this, and TheWelleszCompany, who hosts this video.
16 Pieces for Electric Guitar & Electroacoustic Ensemble by Santiago Fradejas
Because there is so much incredible music coming out all the time, documenting it is becoming a bit of a nightmare. Thankfully, I’m subscribed to enough Facebook music groups to keep me abreast as to what new sounds are popping up.
One of the best new artists I’ve come across is a Chilean composer called Santiago Fradejas. He works comfortably in the fields of electroacoustic music, post-industrial soundscapes, drone, improv and contemporary classical. This particular album really highlights the wide range of genres he’s able to tackle.
Santiago’s work is worth seeking out. It’s my hope that he gets signed to a label who can properly promote him, and soon.
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