[Music] Conrad Schnitzler & Bernhard Wöstheinrich – 20070709

Conrad Schnitzler was a legendary electronic music composer who passed away in 2011. Four years beforehand, he collaborated with a young fellow German musician called Bernhard Wöstheinrich, who was well over 30 years his junior. The collaboration produced one hour-long track which builds, grinds, throbs and swells in a way that is abrasive, yet pleasant.

The release is on Iatepus Media, and you can read notes from their album on the label site.

[Music] Various Artists – Don’t Let Me Be Lost To You B​-​Sides: Albanian, Armenian, Greek, Jewish & Turkish Music from the Me Re, Balkan, Metropolitan & Kaliphon Labels

Canary Records owner (and a rather fine experimental musician himself) Ian Nagoski should be commended for his work in bringing to life so many wonderful albums from the turn of the 20th Century cut by Balkan and Jewish musicians who left their home countries and made quite good names for themselves in places like New York City. These recordings are lovingly restored, and apparently are leftover tracks transferred from 78rpm discs for a forthcoming 5-volume / 6-LP series to be issued in early 2019. Considering how lovingly Ian treats this material, this upcoming collection sounds like a grand project!

[Music] JOHN 3:16 – Sinner’s Prayer

Wave after wave of beautifully crunchy, hypnotic drone is what makes JOHN 3:16’s new release (a reissue from 2011, apparently), a 30-minute affair, so appealing. The guitar playing is so heavily textured that you feel like a sonic blanket has wrapped you up, making you forget, albeit temporarily, the vagaries of the world.  Drone music tends to be hazy, but this release would have been a stunner during the psychedelic 1970s as much as it is today.

This is a stunning mini-album. Many compliments to Philippe Gerber, JOHN 3:16’s leader and guitarist, for pointing me to this reissue.

[Music] Tanbou Toujou Lou: Meringue, Kompa Kreyol, Vodou Jazz, & Electric Folklore from Haiti 1960 – 1981

It’s not often that I get to post on a release from Haiti, as I’ve never really had reliable contacts who could guide me to what treasures lie underneath that island which suffers so much.  This release from Ostinato Records, a small label out of New York who are doing some incredible reissues from various parts of Africa (think Somalia and Cape Verde for starters), put together this remarkable collection of tracks recorded not only in Haiti’s capital of Port-au-Prince, but among the expatriate community residing in Brooklyn, New York.