Very little information on this weird, yet funky, Pinoy band. It seems the Philippines was a hip, funky place during the 1970s! Freaky, but fun.
One of the most indulgent rock songs ever. It is 17:05 minutes long and has a grand total of only 30 different words in this song. You might think it has a deep, mystical meaning, but it’s really a translation error. The title was supposed to be “In The Garden Of Eden.” Someone had written […]
Sad news from New York tonight. Ric Ocasek was found dead in his Manhattan apartment on Sunday, law enforcement confirmed. Some reports say he was 75 and some say he was 70. Ric wrote some of the best pop hits of the late seventies and eighties for the Cars. The Cars were a big part […]
Born Peter Bramall in November 1950, Bram Tchaikovsky first came to prominence as a member of the pub rock band The Motors in 1977, subsequent to playing in several local rock bands in Lincolnshire during the late ‘60s. Following his decision to leave The Motors, Bram opted to form his own eponymous power pop band, with Mike Broadbent on bass and keyboards, and Keith Boyce on drums. The trio signed to the Radar label in 1978 and went on to achieve a US Top 40 hit in 1979 with ‘Girl of My Dreams’. Several band member changes and two albums later, Bram Tchaikovsky made the decision to split from the band and retire from the music business entirely.
This lovingly assembled package, fully endorsed by Bram Tchaikovsky himself, contains all three BramTchaikovsky albums Strange Man, Changed Man (1979), The Russians Are Coming (1980) and Funland (1981), plus all…
View original post 95 more words
I am ever-grateful for having friends who turn me onto new, weird, freaky stuff daily. I’m in awe of such people who can hip me to something rather amazing, like this group from Germany. Hippie-folk at its finest, with a rocking edge.
For more on Teller Bunte Knete, check out their Wikipedia profile.
During a good part of the 1990s, I had the pleasure of working at one of the best record stores in America (I mean that literally – maybe two or three were greater, and that’s it). Aron’s Records was, for me, a finishing school for musical knowledge, a place where I was able to really broaden my taste in music (I have old friends Dana Madore and Ted Plank to thank for most of that, though so many contributed mightily to hipping me to new music).
Dana, in particular, as well as my clients, were fans of Colosseum and solo projects which sprang from its loins. ‘The Valentyne Suite’ is a particularly meaty piece of Hammond-based prog.